Celebrating the 200th anniversary: Haydn and the New Zealand String Quartet

By Lindis Taylor, August 29, 2009
Peter Mechen has written a review of the first of the two concerts by the New Zealand String Quartet on Tuesday 25 August, commemorating the 200th anniversary of the death of Haydn. That concert contained, not only 21 excerpts from the quartets, from Op 1 to Op 103, but also recitations by the four quartet members from letters and memoirs recorded by a number of biographers and commentators. (Admirably, the programme listed the references so that the audience could seek out some of the books the next morning at library or on internet). That tour de force of musical adventure...  Read More »

‘Hideous Love’ offered by Brio, opera ensemble

By Lindis Taylor, August 26, 2009
The success of the somewhat heterogeneous range of voices comprising the vocal ensemble Brio lies in their energy and histrionic flair and the plain delight they four take in what they undertake. On this occasion Roger Wilson replaced the ensemble's usual baritone Justin Pearce. Acis and Galatea was given a semi-staged performance by New Zealand Opera a few years ago in the Opera House. It is a hybrid work, classed as a masque, a hybrid dramatic form that possibly has more in common with the French opéra-ballet, practised by Lully and Campra. First performed in 1718, it was Handel’s first...  Read More »

NZSO/Todd Corporation: promoting our young composers

By Alan Wells, August 25, 2009
The Todd Corporation's - and New Zealand Symphony Orchestra's - support for the Young Composer Awards makes it one of the most important arts sponsorships in the country. Their promotion of the growing point - the apical meristem - of creative artistic development promises to deliver a much greater return in cultural benefits than the (more typical) funding that goes into many, more prominent, areas. As conductor and co-adjudicator Hamish McKeich put it, where else in the world would young people write such imaginative, fresh and varied pieces? On occasions like this it seems almost de rigueur to say (as indeed...  Read More »

Haydn with Strings attached

By Peter Mechen, August 25, 2009
“Music begins where words leave off” as the old saying goes, suggesting that the two media are sometimes best left to their own devices, and that their combination needs to be handled with surety and skill. However, by using both spoken words and music (more easefully as the evening progressed) the New Zealand String Quartet managed in their presentation “Josef Haydn and the String Quartet” to bring the composer to life as the author of one of the most life-enhancing creative endeavours to grace the civilised world. Had there been any complete CD sets of the quartets for sale at the...  Read More »

Wellington Regional Aria Contest: Dame Malvina Major Prize

By Lindis Taylor, August 23, 2009
St Andrew’s on The Terrace. Sunday 23 August 2009 In recent years what used to be the Aria Contest of the Hutt Valley Performing Arts Competitions Society has struggled to survive. For many years it was The Evening Post Aria, but after The Dominion and The Evening Post merged in 2002, the paper dispensed with that responsibility. It has now been taken under the wing of the Dame Malvina Major Foundation and the first prize is now a generous $4000. That being so, it was surprising that there were only five entrants to the aria competition, compared with more than...  Read More »

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