Bach organ recital from Mews at St Mary of the Angels

By Lindis Taylor, August 23, 2009
This was the second in the series of three recitals on the Maxwell Fernie organ at St Mary of the Angels. The first was by the, shall we say, organiste titulaire of St Mary’s, Donald Nicolson. This one was by the City organist and keyboard specialist at the New Zealand School of Music, Douglas Mews. After the concert he talked in the organ loft to those interested, about the music and the organ. It was interesting to hear his comments, shorn of the usual breathless veneration of Fernie’s handiwork (to which I have subscribed), noting some of the quirks and...  Read More »

Last Night of the Proms with Wellington Orchestra

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By Lindis Taylor, August 22, 2009
Wellington’s experience suggests that there’s no such thing as the Last Night of the Proms. The big audiences – this one was sold out – justifies the Wellington Orchestra’s decision to stick with a good thing, or at least a rewarding thing, so the adjective ‘last’ has to be understood as a relative term. One wonders how Wellington would turn out if another of the scores of nights at the Proms were presented; they have long been the way to get an assured audience to listen to unfamiliar or new music, which would be otherwise difficult to sell to the...  Read More »

Extreme Lands

By Alan Wells, August 21, 2009
"Extreme Lands" was an event incorporating sound (live and recorded), words, and images, imaginatively curated by Wellington composer Alexandra Hay. There were four items on the programme, beginning with "Cigarettes for Ping Pong" by experimental singer-songwriter Carol Micallef, which she sang in her attractive voice, accompanying herself on a tiny retro synth, with the aid of erstwhile guitarist Dylan Lardelli on viola. Alexandra Hay's own work, "Moon Song", utilized a text by Branwen Millar, ingeniously presented as an interplay between words projected onto a screen, and words vocalized by Frances Moore. Each section was associated with a different aspect of water, for...  Read More »

Alastair Carey with the Clerkes of Christ Church, Oxford

By Lindis Taylor, August 19, 2009
Cathedral of the Sacred Heart, Wednesday 19 August 2009 The former tenor and director of The Tudor Consort, Alastair Carey, who left Wellington to pursue a career in England found his way into the choir of Christ Church (it does not employ the word ‘college’, though it is one), Oxford. The choir is one of the several distinguished university choirs which include, variously, professional singers – ‘lay clerks’, boy choristers and undergraduates; it is the choir of the college after which Christchurch was named because John Robert Godley, one of the city’s founders, had studied there. Carey teamed up with two...  Read More »

Soprano Nicola Holt and pianist Nicole Chao at St Andrew’s

By Lindis Taylor, August 19, 2009
St Andrew’s on The Terrace. Midday, Wednesday 19 August 2009 I missed the first two songs in this lunchtime concert, but was told that the two songs by Thomas Arne, from Shakespeare (‘Where the bee sucks’ from The Tempest, and ‘When daisies pied’ from Love’s Labours Lost) were most delightfully sung. But I was very happy to arrive just after the Schumann song cycle had started. Nicola Holt’s very musical and beautifully articulated singing created a wonderfully satisfying performance of the charming and varied Schumann cycle. Her voice has a purity and unaffected quality that captures the sadness as well as...  Read More »

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