Janet Gibbs chose a delightful programme that was a mix of the well-known, the lesser-known and the unknown. Sitting quite close to the organ, I was aware of its quite strident sound, facing directly out to the auditorium as it does, rather than into the choir, or from a gallery, or from a side alcove as in most churches.  However, I soon became accustomed to this.  The great advantage in... read more