The title puzzled me a little; it was a beautiful day without wind, and the winds of the organ pipes had plenty of company – there were over 70 people present.
It was a very well thought-out programme, revealing thought on how to present it, and which physical positions the baritone should take up. The choice of items obviously involved quite a bit of research. The climax of the recital...
anniversary of the choir’s formation, and those of its alumni attending the weekend celebrations helped to boost audience numbers so that the cathedral was almost... read more
As I said two years ago “I reviewed the choir almost exactly two years ago; now they are here for another school holiday course. My enthusiasm for their performance has not diminished, nor has the choir’s skill and versatility”. This year is the 30
I have been heard to utter unpatriotic feelings about the seeming endless attention paid in New Zealand to war and in particular the First World War and Gallipoli, which took place around 100 years ago. I have no problem with the stimulus the centenary has given to serious re-examination of the political background to the war, its pursuit and the catastrophic results of the Treaty of Versailles that sought...
arranged by Julian Arcas. It made an engaging start to the concert.
Emma Sanders chose what might be... read more
This programme was a last-minute replacement for the scheduled performance by guitarist Owen Moriarty who will now play on 11 May. These students were to have played on that day.
There was another alteration, with the first player, Royden Smith, replaced by Jake Church who played a pot-pourri of tunes from
This time, there was a different disposition of the quartet and the audience in the room; the players had their backs to one of the sections of raised seating and the audience sat either in the other section or at floor level, the latter with their backs to the raised seating, rather than being between the two upper levels. The musicians usually have their backs to the large memorial...
The last time I heard David Guerin playing was in an ensemble of four at the Adam Chamber Music Festival in Nelson last February. Alone... read more
This special, extra concert was presented to mark the unveiling of a plaque recording the names of donors to the Little Theatre Piano Fund. It would have been hard to think of a more monumental piece of music for the occasion than the
In a review of the NZSO just over a year ago, I said “You can’t beat Beethoven on a good day – and this was a very good day”. That was one hundred percent true of this concert, with new Music Director Edo de Waart. I thought it was brilliant planning to get an audience in to hear a programme that was at least in part familiar. They would...
At last! - the drought has been broken! - the well has been newly dug! - and the field has been freshly ploughed! So, just what, you're bemusedly thinking, am I on about this time round? I'll tell you! - David Farquhar's First Symphony, performed only once previously in concert in 1959, has finally received its SECOND public performance! - that makes, by my reckoning, fifty-seven years of... read more
As a rather excessive Francophile, I was more than delighted at the prospect of hearing the distinguished French baroque ensemble, Les Talens Lyriques, live in my home town. Knowing the strange and sometimes narrow musical tastes of some chamber music lovers whose horizons are often limited to the German and Italian lands, I rather feared that the unfamiliar music of the French baroque might have drawn a rather small...
The New Zealand School of Music is a major supplier of talent to the year-long series of lunchtime concerts at St Andrew’s on The Terrace. Most of those who play are at somewhat advanced degree levels, but this time it’s pianist Nick Kovacev who is in his first year at the school. I had not read the brief note about him in the programme at the start of the...