Supported by generous help from the Turnovsky Endowment Trust

Orchestra Wellington, Orpheus Choir, clarinet in brilliant Mozartian form

By , 20/08/2016
To put together programmes celebrating periods in a composer’s life has been made pretty easy by the conscientious compilers of catalogues, either by musicologists or by the composers themselves. Some have been catalogued in more sophisticated ways, by genre of composition which leads to an elaborate system like that of Haydn by Hoboken (not the suburb of Antwerp).  But it’s not hard to list the ‘last words’ of Mozart There’s... read more

The Don rides out again – Eternity Opera’s “other” Don Giovanni

By , 20/08/2016
What a delight to be able to enjoy, within the space of a few days, a second, almost entirely different cast performing the same operatic production! Eternity Opera's Don Giovanni had opened on the previous Saturday (reviewed by Middle C, below) and this was the single chance for the "understudy cast" members to demonstrate what they could do in public - with the exception of the Zerlina, Emily Mwila... read more

Opera with energy and excitement – Eternity Opera Company’s Don Giovanni at the Hannah Playhouse

By , 20/08/2016

The name “Eternity Opera” is itself a splendid gauntlet-brandishing gesture, an assertive declaration of overall purpose and intent, reinforced by a note in the programme for Saturday night’s opening of the new company’s season of “Mozart’s “Don Giovanni”–  firstly, “to stage productions that are exciting and accessible to anyone” and, just as importantly, “to support the many talented singers and musicians in the Wellington region”. Judging by what... read more

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