Supported by generous help from the Turnovsky Endowment Trust

Playing with fire – music that sears and burns, from the New Zealand String Quartet

By , 10/09/2017
The NZSQ's 30th anniversary "Dangerous Liasons" national tour featured two programmes of works which encapsulated so much of what the ensemble has already achieved throughout its existence, including world-class presentations of some of the core string quartet repertoire, both in concert and on recordings, and an on-going committment to New Zealand music. Works by Beethoven, Bartok, Schumann and Mendelssohn have been given much-acclaimed performances in all parts of the... read more

Madrigals-a-go! defined, declared and delivered by Cantoris with director Thomas Nikora

By , 06/09/2017
The programme note was right to describe the evening's entertainment as "a delightful Spring programme", even if Wellington hadn't thus far (and hasn't since yet) had a weather response worthy of the name! Still, none of this was through want of trying on the part of Cantoris, whose singing at least warmed our insides and gave as good a precursor of the winds of change as any recent general... read more

“The Three Altos” – scenes of glory and achievement for the viola here in Wellington

By , 04/09/2017
This concert marked the conclusion of the 44th International Viola Congress, one which brought aficionados from everywhere in the world to Wellington for no less than five days of intense viola interaction. Co-hosts for the event were Professor Donald Maurice, and NZSQ violist Gillian Ansell, both distinguished teachers of the viola at the New Zealand School of Music, Victoria University of Wellington. It was no wonder that, with fifty-plus... read more

BEETHOVEN – Violin and Piano Sonata Series – a final frolic and a fury, to great acclaim!

By , 01/09/2017
The excellently-written programme notes accompanying this series of concerts made reference to the "frolicsome" mood of Beethoven's A Major Violin Sonata Op.12 No.2, which opened this, the last of the lunchtime series of concerts given by Bella Hristova and Michael Houstoun. The very opening of the work's Allegro vivace beginning was smile-inducing, the buoyantly-tripping rhythms shared by both instruments, the piano slightly more dominant in this environment (and more... read more

Camerata’s beguiling “What’s in a name?” concert of Haydn and Mozart

By , 31/08/2017
Founded in 2015 by the late and lamented Ian Lyons with colleague Liz Pritchett, Camerata is a group of musicians dedicated to the idea of making "high quality, joyful chamber music, accessible to aficionados and newcomers to classical music". Led by Anne Loeser, a violinist with the NZSO, the group consists of an amalgam of NZSO,Orchestra Wellington and Wellington Chamber Orchestra members, including in this evening's concert a number... read more

BEETHOVEN Violin and Piano Sonata Series – a feast for Wellingtonians!

By , 28/08/2017
Beethoven's Violin Sonatas don't span the composer's creative output as imposingly as do his efforts in some of the other genres - within the short space of six years (between 1797 and 1803) he was to write nine out of the ten completed works for violin and piano, and the final single work a decade later. However, he had attempted a work for the two instruments as a fledgling... read more

Mahler, Berg – and Salina Fisher, from the NZSO – music of innocence and experience

By , 11/08/2017
Spectres, once they’re established, can haunt the world of music for decades, for oceans of time, during which certain attitudes and values can be gradually eroded, or else further entrenched. The fact that each of this concert’s three items might well have reawakened specific “ghosts” lurking among the sensibilities of the NZSO’s many loyal supporters might well have accounted for the relative paucity of attendance (by my reckoning the... read more

Eternity Opera’s “Figaro” produces the goods at Welllington’s Hannah Playhouse

By , 05/08/2017
Having so very much enjoyed Eternity Opera's "Don Giovanni" here in Wellington a year ago, I was looking forward to some replication of the experience with this new production of another Mozart masterpiece, "Le Nozze di Figaro" - or, to put it in the performance's English-language context "The Marriage of Figaro". A large part of the attraction of both productions for me was the intimacy of the Hannah Playhouse... read more

Beauty, poignancy, energy, focus – Kenneth Young’s CD “Shadows and Light”

By , 01/08/2017

Over much too protracted a period I have lived with this disc of Kenneth Young's music, playing single tracks at times when opportunities arose, and, in random-step-wise mode very gradually familiarising myself with the music's sounds. It's only recently that I've had the oportunity to tease it out from my constantly-attenuated "must-hear" collection of recordings, and given it the uninterrupted attention I've felt it deserves. Playing a track at... read more

Xenia Pestova – an interpreter for all ages, at St.Andrew’s, Wellington

By , 30/07/2017
Xenia Pestova’s programme in itself commanded a good deal of interest, with its many and varied juxtapositionings of old and new adding adventurous touches to the concert’s overall excitement along with the anticipation of many individual delights. I’d not had any previous encounter with the pianist’s playing, but read with interest her “artist’s bio” resume as per programme, which outlined a goodly number of notable artistic achievements, enough to... read more

Panorama Theme by Themocracy