Supported by generous help from the Turnovsky Endowment Trust

Remarkable integration of musical cultures in spite of documentation and presentation shortcomings

Of the skill manifest in this unusual concert there can be no doubt.  Regarding the audience’s involvement there are regrets: there were no notes about individual works in the brief three pages in the composite programme booklet; most of the information was about the players.  No spoken introductions were given, and no explanation of the taonga pūoro, as Richard Nunns gave at a Festival concert years ago.  I am... read more

Polished Australian string quartet at St Mary of the Angels Festival series

The series of chamber music concerts in the Festival are all being held at St. Mary of the Angels Church.  They are all listed in one programme booklet – which means not much detail is provided for each; for example brief programme notes, no enumeration or tempi markings for the movements.  Brief introductions were given by one of the players.  The concert was being recorded by RNZ Concert.  It... read more

Most accomplished performances of piano trios by Psathas and Brahms

An ambitious chamber music programme by an enterprising and highly skilled trio was attended by a larger-than-usual audience, confounding the fears of organiser Marjan van Waardenberg, who thought the weather would put people off.  But no; by 12.15 it was just a normal Wellington windy day, with sunshine. There were no programme notes, but two members of the trio briefly introduced the items, in turn.  However, it would have been... read more

Atoll Records releases CD conspectus of Ken Wilson: Music For Winds

A worthy addition to Atoll's now substantial catalogue of recordings of music by New Zealand composers, this CD should delight many music-lovers.  That it is already doing so is proved by its place at number three on the RNZ Concert Classical Chart, on Saturday, 18 February.  They played an excerpt from Ken Wilson's Wind Quintet of 1965.  This was recorded by Kiwi Records on LP in the mid-1980s, and... read more

NZSO opens the musical year with Bach, Rameau and Locatelli

The orchestra made a start to the New Year that was rather different from usual.  A band without conductor, but led from the violin, that was made up of between 12 and twenty-five players, depending on the work being played.  Unusually, the players stood to perform, except of course the harpsichordist (Douglas Mews) and the cellists; the horns and percussion had chairs to sit on in those movements where... read more

Legal choristers and instrumentalists in anniversary class action supporting child cancer campaign

It was heartening to see such a large bunch of lawyers who enjoy making music – and the large, mainly young audience who came to hear their second performance.  The 38-strong orchestra included some 21 players from the NZSO and Orchestra Wellington, but only one lawyer – the indefatigable Merran Cooke, who rehearses the performers and organised the concert.  The choir consisted of 53 singers. The composers selected were a... read more

Organist Bruce Cash momentous performance of Messiaen’s La Nativité du Seigneur

To hear a splendid work of meditation for organ on the fine organ of St Mary of the Angels with its marvellous acoustics and its ambience since its recent restoration, was a treat in itself; to hear Bruce Cash play it so well was the icing on the cake. Bruce Cash had described the work in his interesting pre-concert talk, which was accompanied by slides. They included two of... read more

Masses in times of war celebrated by the Bach Choir under Ivan Patterson

With a great line-up of soloists and some marvellous music to sing, the stars were lined up well for the Bach Choir’s concert.  A sizeable audience was present to hear them.  The title for the concert derives from the fact that both masses were written under the stress of wartime conditions: Napoleonic Wars in Haydn’s case and the Russians beating back the Nazis in Budapest in 1943 in Kodály’s... read more

Wellington Young Voices weave their own magic at Old St.Paul’s

About 30 young singers between the ages of 8 and 14, 10 of them boys, performed a delightful programme to a substantial audience. The programme included four Christmas carols for the audience to sing with the choir. The concert began with an attractive carol ‘Sing with the angels, Gloria!’, with words and music by Tawa music education supremo Shona Murray. The young singers soon showed that they were well-trained –... read more

NZSO and Orchestra Wellington string players in Baroque chamber music at St Andrew’s lunchtime

As with last week’s lunchtime concert from St Andrew’s, Lindis Taylor and I found ourselves in different parts of the church and both had scribbled notes. He graciously proposed that I cover the ground generally while he would merely add a few pedantic details. Again, no attributions. The theme of La Folia has been ascribed to Corelli, but it is much older. Research suggests that it emerged in the 15th... read more

Panorama Theme by Themocracy