Supported by generous help from the Turnovsky Endowment Trust

Category: Live performance

Adams and Mozart (and Martin Fröst) inspire de Waart and the NZSO

By , 07/04/2017
John Adams (b.1947) has for some time been popularly regarded as one of the "big three" of minimalist music composition, along with Philip Glass and Steve Reich. The term "minimalist" was used to describe a specific creative aesthetic involving the reduction to the bare essentials of whatever medium the creative artist worked with - in music this involved using repetition of melodic and rhythmic ideas to express minute gradations... read more

Strauss’s final tone poem a mighty opening for the NZSO’s 2017 season

By , 25/03/2017
Here was a concert designed to attract various classes of music lovers: those attached to the classical heartland, discreetly coloured by a pictorial Romanticism; lovers of the voice in melodious, conventional guise with music composed at the turn of the 20th century; and finally, for those susceptible to musical expressionism on a vast scale, an evocation of vast natural phenomena and secular voluptuousness. Though the orchestra had its first major... read more

Memorable Lower Hutt recital of the familiar and the unknown

Chamber music at its best.  Splendid performers, enthusiastic, receptive audience, good acoustics, masterworks of the repertoire.  One can’t ask for much more, whether the players are from overseas or are our locals – the latter the case this time, with strings all from the New Zealand Symphony Orchestra, with the added talents of pianist Jian Liu, from the New Zealand School of Music.  However, the concert deserved a larger... read more

Successful violin and viola duo reveal rare Mozart and well-known Halvorsen

By , 08/03/2017
The names of the two performers at this lunchtime concert should no doubt have been familiar to me, as they have been on the Wellington scene on and off for a long time; both had played in the NZSO. Both have lived and studied overseas and now work in other fields in Wellington, though music clearly remains an important part of their lives. The programme note explained that Mozart wrote... read more

The NZSO at seventy with an inspired programme for a full house

By , 06/03/2017
All three Middle C reviewers collaborated in reviewing this momentous concert. We paid attention in our first name alphabetic order. The first, fourth and seventh are Lindis’s, second, fifth and eighth, Peter’s, and the others, Rosemary’s. Introduction (LT) In keeping with the feisty critical tradition established by Beaglehole and Finlay at that first concert on 6 March 1947, let’s start with a little grizzle. Wonderful for Wellington to be offered a free... read more

Paekakariki’s Mulled Wine concert series opens in the rich classical heartland

By , 05/03/2017
I missed the first of Paekakriki’s Mulled Wine concerts in January, organised by Mary Gow, featuring ‘Ukes of Wellington’ along with wine and beer at the bar; all three I could well have enjoyed. However, I caught the first serious engagement, involving three leading Wellington musicians none of whom were born in New Zealand but who one hopes will not change their minds in the light of political or other... read more

Göknil Biner and Tom McGrath deliver delightful recital of Schubert, Schumann and Fauré songs, plus Scriabin piano piece

It was a pleasure to have out-of-town performers at the lunchtime concert; this married couple are from Dunedin, where Tom McGrath is on the staff of the University of Otago. The programme consisted of some familiar Schubert and Schumann lieder and songs by Fauré, and others less familiar.  All the words were printed in translation, and the authors of the poems were given. The first Schubert lied was An die Natur, written... read more

Hungarian pianist Dénes Varjon at Waikanae with enterprising programme, rich in Bartók

By , 19/02/2017
The first concert in the nine-concert Waikanae chamber music series neatly filled a hole in my piano recital experiences that the same programme would have provided in Nelson if I’d been there the previous Sunday. Varjon was one of this year’s stars at the biennial Adam Chamber Music Festival in Nelson (see my review date-lined 11 February). He was hot news there and even though I heard him in various... read more

Days Bay Opera’s twelfth production handles Eugene Onegin with youthful energy and perceptivity

By , 15/02/2017
Days Bay Opera continues its eclectic repertory policies, that have ranged from the mid 16th century to the 20th. For this, it was back to the garden, after the indoors performance of Theodora, on a fine but somewhat cool evening. What may well have been a worry was a summer that is hardly worthy of the name, and further performances of both pieces on the following days may not have... read more

Nelson Chamber Music festival again New Zealand’s biennial musical highlight

By , 10/02/2017
My visit this year to the Nelson Chamber Music Festival was shorter than in previous years, arriving late afternoon on the Tuesday and departing midday Saturday. The highlights from abroad were the presence of Hungarian pianist Dénes Varjon, the Australian tenor, Andrew Goodwin (singing Schumann’s Dichterliebe), the Goldner Quartet and cellist Matthew Barley. The essence of the festival rests with the New Zealand String Quartet, which founded and sustained the festival... read more

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