This was an important series of ten concerts by the New Zealand String Quartet, in five centres nationwide; it included two different programmes, of all three of Schumann’s quartets and four of Shostakovich's 15. I heard the first of the two programmes at the church of St Mary of the Angels on Saturday the 28th, which my colleague Peter Mechen has reviewed (that programme had also been played a week earlier in the Hunter Council Chamber at Victoria University) and the second on Tuesday 31 August, also in the Hunter Council Chamber. There were probably round 200 at St Mary’s and...  Read More »

Poor old Schumann! Of course he had no way of seeing Shostakovich coming when he wrote his quartets, and therefore didn't feel the need to overtly externalise the flamboyant, turbulent side of his nature in much of his music, especially in a medium which was generally regarded as a vehicle for expression of a reasonably circumspect provenance. True, he had Beethoven's magnificently virile example as a writer of quartets to refer to as exemplars of a more cosmic and elemental style and effect - but Schumann was no Beethoven, being a split personality far more seriously troubled by the demands...  Read More »

This concert was advertised as part of St Paul’s Lutheran Church’s regular concerts, many of them associated with the church’s normal vespers services, when Bach cantatas, eventually all of them, are performed. But this was different. Peter Walls (in other lives, Professor of Music at Victoria University and now CEO of the New Zealand Symphony Orchestra) had talked during the week on RNZ Concert’s Upbeat, and in his introduction to the concert, about its nature and aim, offering interesting bits of scholarship about violin practice as well as about the byways of music in 18th century Britain. The great Italian violinist and composer,...  Read More »

What a well-constructed programme this was, celebrating Chopin’s bi-centenary, other supreme composers for the piano, plus a dazzling finale.  This was real pianists’ music: not out to be showy (with the exception of the final piece), but to be expressive. Using a microphone, Piers Lane interpolated remarks between the groups of items.  These were informative, and sometimes humorous, such as when he told us that the words of the folk-song on which the second movement of Beethoven’s sonata was based had been translated as “You are a slob”! The Schubert Dances he played, the pianist informed us, were made into a collection...  Read More »

The Bach Choir has a distinguished history in Wellington since 1968, when it was founded by the gifted organist and musical scholar Anthony Jennings. Like all choirs, its fortunes have fluctuated: for the past two years it has regained its position, directed by Stephen Rowley; its recent achievements have included the B Minor Mass, Elijah, a concert of Handel and Purcell, and Bach’s Christmas Oratorio. It was an adventurous concert. In Frank Martin’s Mass for Double Choir the two choirs of about 20 singers each, were placed diagonally, at right angles to each other, facing the conductor.  But ideally it needed more...  Read More »