When W.S.Gilbert's ornamental Japanese sword fell off the wall of his study while he was turning over in his mind ideas for his latest operatic collaboration with Sir Arthur Sullivan, The Mikado was born - or so all the G&S history books tell us. In fact, there happened to be a vogue for japonaiserie in England at the time Mikado first hit the stage, instigated some years before by...
One of the pleasures of reviewing for me is fronting up to performances of music which I simply don’t know, and subsequently asking myself (sometimes in tones of amazement and disbelief) why it is I’ve never encountered this or that work before, finding it so beautiful / profound / thrilling /whatever! Thus it was with this often compelling production of Handel’s oratorio Theodora, a work the composer wrote towards...
I went to the third run of the Ring in Melbourne, in December. At its first incarnation in 2013, I had rather set it aside, partly because the ticket prices were pretty steep – well over $1000 for the four – and something in me said that, as I have seen the entire cycle five times over the years, in various places including Bayreuth, I doubted whether Opera Australia... read more
. They filed in after some of Orchestra Wellington’s players had taken their seats: the more advanced ones taking seats alongside a professional player as mentor; the beginners spread across the front of the stage – some of them looked aged about four. They... read more
This was the once-a-year event for the young musicians involved with the Hutt Valley Arohanui Strings, the project inspired by the famous Venezuelan institution,
Stuart Maunder, New Zealand Opera's chief, and the director of the company's current production of Stephen Sondheim's "Sweeney Todd", showing at Wellington's St.James Theatre, called the show in a welcome message written in the programme "a meaty night out at the opera". I admit I took fright for an instant, irrespective of my largely carnivorous food preferences history. It was just that I didn't really fancy watching a series...
in a smaller role in last year’s Gondoliers
from Wellington G&S Light Opera, but couldn’t recall her voice. Her... read more
This year eighteen singers entered for the annual aria contest (it used to be the Hutt Valley Aria, when there was also a Wellington-based contest, run by the Wellington Competitions Society which died in the 1970s).
Some names were more familiar to me than others. I had only recalled
The school of music’s once annual opera productions have in recent years fallen back to biennial events. In the between years, students create a series of scenes from opera, against a background of elementary sets and a few props that can, with a bit of imagination, be used in various settings.
This production employed around sixteen singers, though the photo gallery in the printed programme contained 23 faces which included...
A recital entirely of song-cycles is perhaps a little unusual, but it made for a very satisfying concert. Maaike Christie-Beekman introduced each in a lively and informative way, giving a summary of the words of each song. Even though she was not using a microphone, most of what she said could be heard clearly.
The Debussy cycle used poems by Pierre Louÿs, which the latter claimed were translations of the...
I Capuleti e i Montecchi
, like the productions of several of the operas done by Rhona Fraser’s Days Bay company, was probably the New Zealand premiere. Though there may have been performances by minor opera groups over recent years, I’m sure no recent professional production would have escaped me. (but see more in the Appendix below)
One of the problems with this assumed Shakespeare-modelled piece has been... read more
This production of Bellini’s
When I arrived at the theatre at 7pm, I was surprised (and delighted) to find a box office queue out to the street. Though it proved to be largely because there was only one person handling both sales and the collection of already purchased tickets, it did show that the production had attracted high interest, and indeed by 7.30, there was scarcely an empty seat in the house.