Supported by generous help from the Turnovsky Endowment Trust

Posts tagged: baroque music

NZSO players in special concert under Aisslinn Nosky with Baroque masters

By , 17/11/2017
It’s been a fine Baroque week in Wellington, at St Andrew’s, with an attractive lunch-time concert on Wednesday, with four strings from Wellington’s two professional orchestras and an NZSM harpsichordist; and this evening a special ensemble, of 18 players from the NZSO, plus harpsichordist Douglas Mews. The story behind this evening’s concert was elaborate. NZSO violinist Anne Loeser travelled to Toronto in the Summer of 2014 for an intensive Baroque... read more

NZSO and Orchestra Wellington string players in Baroque chamber music at St Andrew’s lunchtime

As with last week’s lunchtime concert from St Andrew’s, Lindis Taylor and I found ourselves in different parts of the church and both had scribbled notes. He graciously proposed that I cover the ground generally while he would merely add a few pedantic details. Again, no attributions. The theme of La Folia has been ascribed to Corelli, but it is much older. Research suggests that it emerged in the 15th... read more

Imposing commemoration of 500th anniversary of Lutheran Reformation

By , 29/10/2017
This was an ecumenical service, celebrating the 500th anniversary of the beginning of the Protestant Reformation, led by Bishop Mark Whitfield of the Lutheran Church of New Zealand, in the Anglican Cathedral, with choral support from the Cathedral choir. Earlier in the year, there was a commemorative service that involved the Roman Catholic Church at the Cathedral of the Sacred Heart, jointly hosted by Cardinal John Dew and Bishop... read more

Archi d’Amore Zealanda with delightful programme of New Zealand compositions, plus Bach

The ensemble brought a thoroughly delightful programme to an appreciative audience.  What was unusual was that apart from the solo Bach work, the music played was contemporary, whereas one would expect that the viola d’amore would be playing music from a much earlier times.  The programme notes included this comment ‘...the instrument has been enjoying a renaissance since the mid-twentieth century, with new works being composed and old works... read more

Renowned Bach scholar and conductor Suzuki with fine baroque ensemble Juilliard415

It is wonderful for audiences in New Zealand to welcome back Masaaki Suzuki, this time with an ensemble of students from the famous Juilliard School based at the Lincoln Center in New York.   The 18 instrumentalists came from 8 different countries. Suzuki, as well as running his own choral and orchestral ensembles and teaching in Tokyo, teaches also at Juilliard.  He is a renowned Bach scholar and conductor, and... read more

Peter Walls steps in to conduct Bach Choir in Vivaldi and the Bach family

Great praise is due to Peter Walls for the success of this concert; previous conductor Peter de Blois had departed overseas leaving rather short notice for the preparation of the music.  Without this explanation, the audience would hardly be aware that ample time was not available for rehearsal, such was the high standard of most of the music presented.  One item originally scheduled, by J. Christian Bach, was dropped ... read more

Renowned Bach scholar and conductor Suzuki with fine baroque ensemble Juilliard415

It is wonderful for audiences in New Zealand to welcome back Masaaki Suzuki, this time with an ensemble of students from the famous Juilliard School based at the Lincoln Center in New York   The 18 instrumentalists came from 8 different countries. Suzuki, as well as running his own choral and orchestral ensembles and teaching in Tokyo, teaches also at Juilliard.  He is a renowned Bach scholar and conductor, and Wellington... read more

Further excellent exploratory concert into delightful quasi-juvenile symphonies

By , 28/04/2017
My colleagues, Rosemary Collier and Peter Mechen, have reviewed earlier concerts by Camerata – in May 2015 and November 2016. I’m sorry to have missed them. They included Haydn’s first and third symphonies; I wondered whether we’d missed a concert that had included the second symphony. It also made me wonder, with considerable anticipation, whether they plan to survive long enough to get through all 104 (or is it 108?)... read more

Bach père et fils, and antipodean Baroque resoundings, from Ensemble Paladino

By , 28/04/2017
Auckland-based Ensemble Paladino's intentions, as stated in an introductory note to this concert, were "to present uncompromising, diverse and fearless chamber music on the highest level", an exciting and challenging statement of intent which, to my ears was fulfilled most expertly and mellifluously at Lower Hutt's Little Theatre on Friday evening. It was interesting that, with the ensemble's sound still resounding in my ears, I unexpectedly found myself comparing... read more

Purcell’s “happier graces” prevail in concert of improvisations

By , 18/03/2017
This was a concert whose music-making seemed to connect with practically everybody who sat within coo-ee of me in the Michael Fowler Centre, judging by the warmth and enthusiasm of the reception for the musicians at the end of the evening. While I must confess I wasn't as obviously enamoured of some of the concert's offerings as most people were, I certainly registered the individual and corporate skills of... read more

Panorama Theme by Themocracy