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Posts tagged: baroque music

Triumphant performances of choral masterpieces of Vivaldi and Handel

By , 01/09/2018
Gloria Vivaldi is believed to have composed three settings of the Gloria; one of them is lost, but the other, RV 588, is extant and sometimes performed. I think both are in the key of D. I can recall hearing it sung in Wellington, 15, 20 years ago. But I don’t have clear memory of it. I suspect it was at St John’s church on Willis Street. If anyone can... read more

Ensemble Zefiro a breath of fresh, tangy air in Wellington

By , 10/08/2018
I’ve copied out the titles of the pieces as per programme, which accounts for the unusual names for aria (arie), overture (ouverture) and partita (Parthia), the last of which I thought at first was some kind of misprint. But no – there it was - Parthia, an alternative form of “partita”. So as it was something I didn’t know before I thought it was worth committing to review! However... read more

Admirable exploration of challenging Purcell and gorgeous Fauré from Nota Bene

By , 08/07/2018
Looking back through Middle C’s archive, I was a little surprised to discover that Nota Bene was founded as far back as 2004; we have reviewed 18 of their concerts since our beginning in 2008. It was founded by Christine Argyle, and has been under the direction of several others since, including, quite often, Peter Walls. Concerts are usually constructed round a theme, and the theme here was death and... read more

A revelatory Bach X 2 lunch recital on piano and organ by Jonathan Berkahn

By , 20/06/2018
Jonathan Berkahn is a versatile musician, happy to play any keyboard instrument, including the piano accordion. In this recital he played three J S Bach pieces on the Steinway, then moved to the pipe organ in the gallery to play an organ sonata by CPE Bach and a final Toccata and Fugue by Bach père. The Fantasia in C minor is a splendid piece which sounds as bold and inspiring... read more

Impressive and stylish performance of Bach’s great Mass in B minor celebrates choir’s 50 years

A handsome A4-size printed programme with a good size of typeface greeted the almost capacity audience at the concert.  Inside was a potted history of the choir, and good programme notes, credited to the internet source, plus entire libretto of the Mass, with English translations. This work, one of the pinnacles of the choral repertoire, is Bach’s only Mass, though made up partly of a number of earlier pieces, written... read more

Vivaldi triumphs in the NZSO’s Italian celebration

By , 12/05/2018
What a boringly predictable world it would be if everything in it turned out as one anticipated! I sat pondering this earth-shattering truism during the interval of Saturday evening’s NZSO concert in the wake of the most inspiring and life-enhancing performance of Antonio Vivaldi’s “The Four Seasons” I’ve heard since first encountering New Zealand violinist Alan Loveday’s now-legendary recording of the work with Neville Marriner’s Academy of St.Martin-in-the-Fields, from... read more

Orpheus – a Dance Drama – beautiful, complex and thought-provoking work from Michael Parmenter

By , 16/03/2018
The "Orpheus legend" is obviously one of the seminal "stories" which has contributed towards western civilisation's view of itself and its place in the world down the ages. Orpheus himself is a multi-faceted figure whose qualities and exploits have been variously treated and interpreted at different stages, a process that continues to this day, as witness choreopher Michael Parmenter's ambitious and wide-ranging "take" on the character's far-reaching exploits. Most people... read more

Berkahn shows how you can have fun with Bach

By , 28/02/2018
This was one of those concerts that looked enigmatic from the outside, and I wondered whether it was going to deserve a review – not that I’ve ever failed to be greatly entertained by all my previous encounters with the multi-talented Berkahn. The secret here was to take several of Bach’s Two-part Inventions and respond to what Berkahn takes to be Bach’s suggestion, taking them as starting point to turn... read more

Memorable musical and emotional experience from Jordi Savall, Hespèrion XXI and Tembembe Ensamble Continuo

By , 24/02/2018
I always find it interesting, and indeed relevant, to look back to find when international musicians were in New Zealand previously. My own reviews for The Evening Post, and then The Dominion Post record Jordi Savall's coming to the then New Zealand International Arts Festival in both 1996 (when they gave concerts in both the Town Hall and St Mary of the Angels) and 2000, which was the last... read more

NZSO opens the musical year with Bach, Rameau and Locatelli

The orchestra made a start to the New Year that was rather different from usual.  A band without conductor, but led from the violin, that was made up of between 12 and twenty-five players, depending on the work being played.  Unusually, the players stood to perform, except of course the harpsichordist (Douglas Mews) and the cellists; the horns and percussion had chairs to sit on in those movements where... read more

Panorama Theme by Themocracy