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Posts tagged: baroque music

Archi d’Amore Zealanda with delightful programme of New Zealand compositions, plus Bach

The ensemble brought a thoroughly delightful programme to an appreciative audience.  What was unusual was that apart from the solo Bach work, the music played was contemporary, whereas one would expect that the viola d’amore would be playing music from a much earlier times.  The programme notes included this comment ‘...the instrument has been enjoying a renaissance since the mid-twentieth century, with new works being composed and old works... read more

Renowned Bach scholar and conductor Suzuki with fine baroque ensemble Juilliard415

It is wonderful for audiences in New Zealand to welcome back Masaaki Suzuki, this time with an ensemble of students from the famous Juilliard School based at the Lincoln Center in New York.   The 18 instrumentalists came from 8 different countries. Suzuki, as well as running his own choral and orchestral ensembles and teaching in Tokyo, teaches also at Juilliard.  He is a renowned Bach scholar and conductor, and... read more

Peter Walls steps in to conduct Bach Choir in Vivaldi and the Bach family

Great praise is due to Peter Walls for the success of this concert; previous conductor Peter de Blois had departed overseas leaving rather short notice for the preparation of the music.  Without this explanation, the audience would hardly be aware that ample time was not available for rehearsal, such was the high standard of most of the music presented.  One item originally scheduled, by J. Christian Bach, was dropped ... read more

Renowned Bach scholar and conductor Suzuki with fine baroque ensemble Juilliard415

It is wonderful for audiences in New Zealand to welcome back Masaaki Suzuki, this time with an ensemble of students from the famous Juilliard School based at the Lincoln Center in New York   The 18 instrumentalists came from 8 different countries. Suzuki, as well as running his own choral and orchestral ensembles and teaching in Tokyo, teaches also at Juilliard.  He is a renowned Bach scholar and conductor, and Wellington... read more

Further excellent exploratory concert into delightful quasi-juvenile symphonies

By , 28/04/2017
My colleagues, Rosemary Collier and Peter Mechen, have reviewed earlier concerts by Camerata – in May 2015 and November 2016. I’m sorry to have missed them. They included Haydn’s first and third symphonies; I wondered whether we’d missed a concert that had included the second symphony. It also made me wonder, with considerable anticipation, whether they plan to survive long enough to get through all 104 (or is it 108?)... read more

Bach père et fils, and antipodean Baroque resoundings, from Ensemble Paladino

By , 28/04/2017
Auckland-based Ensemble Paladino's intentions, as stated in an introductory note to this concert, were "to present uncompromising, diverse and fearless chamber music on the highest level", an exciting and challenging statement of intent which, to my ears was fulfilled most expertly and mellifluously at Lower Hutt's Little Theatre on Friday evening. It was interesting that, with the ensemble's sound still resounding in my ears, I unexpectedly found myself comparing... read more

Purcell’s “happier graces” prevail in concert of improvisations

By , 18/03/2017
This was a concert whose music-making seemed to connect with practically everybody who sat within coo-ee of me in the Michael Fowler Centre, judging by the warmth and enthusiasm of the reception for the musicians at the end of the evening. While I must confess I wasn't as obviously enamoured of some of the concert's offerings as most people were, I certainly registered the individual and corporate skills of... read more

Days Bay Opera does it again with Handel’s “Theodora”

By , 11/02/2017
One of the pleasures of reviewing for me is fronting up to performances of music which I simply don’t know, and subsequently asking myself (sometimes in tones of amazement and disbelief) why it is I’ve never encountered this or that work before, finding it so beautiful / profound / thrilling /whatever! Thus it was with this often compelling production of Handel’s oratorio Theodora, a work the composer wrote towards... read more

Nelson Chamber Music festival again New Zealand’s biennial musical highlight

By , 10/02/2017
My visit this year to the Nelson Chamber Music Festival was shorter than in previous years, arriving late afternoon on the Tuesday and departing midday Saturday. The highlights from abroad were the presence of Hungarian pianist Dénes Varjon, the Australian tenor, Andrew Goodwin (singing Schumann’s Dichterliebe), the Goldner Quartet and cellist Matthew Barley. The essence of the festival rests with the New Zealand String Quartet, which founded and sustained the festival... read more

Unfamiliar but rewarding music to mark Conference on 17th and 18th century English music

When on Wednesday after the lunchtime concert someone drew my attention to a poster in St Andrew’s Church foyer, advertising a concert the following early evening, I was unaware of its provenance.  It transpired that it was in association with the 11th Biennial Conference of the Australian and New Zealand Association for Medieval and Early Modern Studies.  Therefore the substantial audience was largely made up of delegates to this... read more

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