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Posts tagged: chamber music

Polished Australian string quartet at St Mary of the Angels Festival series

The series of chamber music concerts in the Festival are all being held at St. Mary of the Angels Church.  They are all listed in one programme booklet – which means not much detail is provided for each; for example brief programme notes, no enumeration or tempi markings for the movements.  Brief introductions were given by one of the players.  The concert was being recorded by RNZ Concert.  It... read more

Two resounding recordings from Rattle – classics and a feisty newcomer

By , 23/02/2018
Taking the contents of both CDs listed above, one might argue that there are two "classic" compositions to be found among these works, one recognised internationally and the other locally, each defined as such by its popularity and general recognition as a notable piece of work. If this suggests a kind of facile populist judgement, one might reflect that posterity does eventually take over, either continuing to further enhance... read more

Most accomplished performances of piano trios by Psathas and Brahms

An ambitious chamber music programme by an enterprising and highly skilled trio was attended by a larger-than-usual audience, confounding the fears of organiser Marjan van Waardenberg, who thought the weather would put people off.  But no; by 12.15 it was just a normal Wellington windy day, with sunshine. There were no programme notes, but two members of the trio briefly introduced the items, in turn.  However, it would have been... read more

A flavoursome taste of the “Baroque” at the St.Andrew’s Lunchtime Concert Series

By , 13/12/2017
These four performers, a singer and three instrumentalists, provided for this concert a goodly range of musical expression inhabiting that style we loosely know as “baroque”. The programme was framed by works from two of the “giants” of the era, Georg Phillipp Teleman and Johann Sebastian Bach, and also contained a sonata for oboe and bassoon by someone whose name was unknown to me, Johann David Heinichen (1683-1729) ... read more

Aroha Quartet: one of the year’s most wonderful lunchtime concerts

By , 06/12/2017
Though St Andrew’s free lunchtime concerts usually populate the church very respectably, a professional group like the Aroha Quartet (though I assume they play, like all performers in these concerts, without payment) tends to draw a larger crowd and that was the case this week. Both the reputation of the quartet and the choice of music accounted for the responsive audience today; it enjoyed quite long applause, and several... read more

Vivante Ensemble’s Vaughan Williams and Mendelssohn set St.Andrew’s buzzing

By , 29/11/2017
The St Andrew's-on-The-Terrace Lunchtime Concert Series here in Wellington has over the years produced some memorable musical experiences, but surely none more exhilarating that what we heard given by the talented Vivante Ensemble on this occasion. To be variously entranced, mesmerized, captivated, energized and thoroughly intoxicated as a listener at a concert performance is to experience a "spirit of delight" which, as the poet laments, "rarely comest" to the... read more

NZSO and Orchestra Wellington string players in Baroque chamber music at St Andrew’s lunchtime

As with last week’s lunchtime concert from St Andrew’s, Lindis Taylor and I found ourselves in different parts of the church and both had scribbled notes. He graciously proposed that I cover the ground generally while he would merely add a few pedantic details. Again, no attributions. The theme of La Folia has been ascribed to Corelli, but it is much older. Research suggests that it emerged in the 15th... read more

A somewhat impromptu lunchtime recital proves a delight at St Andrew’s

Having left the reviewing duty unplanned, both Lindis Taylor and I found ourselves at this recital, mutually unaware of each other at the time; we decided to combine our impressions. Prizes (a free annual pass for the St Andrew's lunchtime concerts in 2018) for successful identification of the origin of the various remarks. This programme was arranged at short notice after the originally scheduled players withdrew. Three separate duos, it... read more

Wonderful Mozart trio for clarinet, viola and piano (plus Schumann and Bruch) from Karori Classics series

By , 20/10/2017
The fall-out from the International Viola Congress a few weeks ago seems to be continuing relentlessly. One Wednesday, viola students and a month ago the same violist as appeared this evening, at the previous Karori Classics concert. They turned the programme round, starting with the two pieces from Bruch’s Eight Pieces for the instruments gathered at St Mary’s this evening. What we heard here was probably the complete works for... read more

Maximum Minimalism – simple, state-of-the-art complexities from Stroma

By , 19/10/2017
“Maximum Minimalism” was the wittily oxymoronic title for this concert by Wellington’s (New Zealand’s?) premiere contemporary music ensemble, Stroma. “Minimalism” was the name bestowed on a group of American composers who, in the 1960s, reacted against the forbidding complexity of atonal and serial music and began (largely independently of each other) employing the extended repetition of simple elements. Steve Reich, Philip Glass and Terry Riley were the pioneers (La... read more

Panorama Theme by Themocracy