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Posts tagged: contemporary music

Too important to let go – Ashley Brown with a “new” NZTrio for Braid, a Suffrage Year concert

By , 26/09/2018
This is the second concert with overt connections to the recent 125th suffrage anniversary that I’ve recently reviewed, very different to the earlier one (Cantoris Choir, Wellington), though packing a similarly powerhouse punch on behalf of women’s musical creativity. It was titled Braid, and is one of three concert series given by the trio this year featuring the work of women composers, the other two being called Weave and Twine. As with Cantoris Choir’s presentation... read more

125th Women’s Suffrage Anniversary Concert with Cantoris in Wellington

By , 19/09/2018
2018 marks the 125th anniversary of women’s suffrage in New Zealand.  On 19 September 1893 the Electoral Act 1893 was passed, giving all women in New Zealand the right to vote.  As a result of this landmark legislation, New Zealand became the first self-governing country in the world in which all women had the right to vote in parliamentary elections. Cantoris Choir in Wellington presented a concert of works on the... read more

Inspirare’s partnership with Youth Choirs a resounding success

By , 15/09/2018
This second concert that I’ve attended which featured the voices of Inspirare, a choir founded by their director, Mark L.Stamper, couldn’t have been more different from the first one (an inspirational performance of Sergei Rachmaninov’s All Night Vigil earlier this year), but was equally impressive in achieving what it had obviously set out to do. In the same venue as where the previous concert had held its audience spellbound... read more

Stroma – Iconic Sonics at the City Gallery, Wellington…..revisiting the new, along with the new

By , 29/08/2018
Eighteen years into the 21st Century a lot of music-lovers are still coming to grips with the innovators and radical figures of twentieth-century music. It’s a process which was in some ways mirrored a century ago by the fin de siècle attitude of many people to the works of Berlioz, Liszt, Mussorgsky, Bruckner and Mahler, all of whom had to wait for a “later time”, at which stage their creative... read more

East and West mingle at Wellington Youth Orchestra Concert

By , 19/08/2018
A most striking frontispiece on the programme cover (uncredited) for this enterprising concert seemed to alert us to the presence of something out-of-the-ordinary - an illustration something along the lines of those disconcerting front-and-profile images of one and the same person. It wasn’t exactly that, in this case, but the effect certainly caused a double-take on my part, which I presume was the idea! – here, a youthful portrait... read more

One piano, six hands and a programme of highly unfamiliar, surprising music by composers in unorthodox mode

By , 08/08/2018
Though this three-pianist ensemble has evidently been around for a while, I hadn’t encountered them. All three were masters students together at the New Zealand School of Music at Victoria University nearly 20 years ago. They operate at one keyboard, in case you have the impression that even the piano duet format is a bit crowded and might be uncomfortable; their places at the keyboard varied with each piece. Clearly there... read more

Admirable, stimulating programme of piano trios from Te Koki Trio

By , 20/05/2018
Gale-force winds outside might have been an appropriate accompaniment to Shostakovich’s frightful war-time masterpiece. But it was not necessarily a fitting way to characterise Brahms’s third piano trio. In spite of the remarks in the programme notes (in general, illuminating), and even though it’s in a minor key, I have never found the opening pages devoid of melody, or revealing an ‘unsettled nature’; though later movements might be so... read more

Jason Bae – an enterprising, exploratory and heroic performer

By , 13/04/2018
Korean-born NZ-adopted pianist Jason Bae made a welcome return a week ago to the Wellington region for a lunchtime recital at the School of Music’s Adam Concert Room, Victoria University. He brought with him a programme he’s taken to a number of venues around the country, one whose content suggested that there would be no compromises on an artistic level, despite the degree of informality and relaxation often associated... read more

Brilliance and feeling from the Mazzoli Trio at Lower Hutt

By , 26/03/2018
Formed in 2015 by students from the University of Auckland and the Pettman National Junior Academy of Music, the Mazzoli Trio, so the story goes, took its name from that of a composer of a piece of music which was one of the first the trio of musicians had prepared. They had fallen in love with the piece, one called “Lies You Can Believe In”, written by up-and-coming New... read more

Remarkable integration of musical cultures in spite of documentation and presentation shortcomings

Of the skill manifest in this unusual concert there can be no doubt.  Regarding the audience’s involvement there are regrets: there were no notes about individual works in the brief three pages in the composite programme booklet; most of the information was about the players.  No spoken introductions were given, and no explanation of the taonga pūoro, as Richard Nunns gave at a Festival concert years ago.  I am... read more

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