by Mendelssohn. The voices were well-matched, and Catherine Norton, as always, was a reliable and... read more
Here was a recital that would have hacked it in the Wigmore Hall, London, or in any other suitably-sized venue, for that matter. It was good to have a programme (mainly) of duets – so rarely heard these days.
The programme began with great panache, in ‘Herbstlied’ and ‘Maiglökchen und die Blümelein’ from
O Futuna! But this concert was not Orff in any sense of the word. Despite comparatively little publicity that I was aware of, the chapel, its coloured glass radiating beautifully onto the concrete walls as the sun shone intermittently, was full. The choir of 14 singers (unnamed), and others, gratified the audience with a varied range of music.
A variety of French music was to be expected; the introduction of...
A glance at the programme and the list of performers at the head of this review will give the reader an idea of the range and scope of this undertaking - a fascinating, and, as it turned out, extremely rewarding concert.
Centred firmly around the music of Louis Vierne (1870-1937) the presentation included also organ pieces and songs written by other French composers. To begin with, organist Paul Rosoman seemed...
A new venture by the Alliance Française Wellington, but intended to be annual, this was a competition for singers in two categories of French song: modern songs in the syles of Jacques Brel, Edith Piaf and others, and classical mélodie by nineteenth or twentieth century composers. A prize of $1000 and two terms’ tuition at the Alliance Française was offered to the winner of each category. Certificates were awarded...
The performers were brave to tackle a difficult and unusual work such as this cycle of nine songs, and perhaps it was not only the recent bad weather that deterred some from attending the lunch-time concert.
However, it proved to be an interesting and worthwhile recital.
Messiaen’s songs were written in 1936 for his wife, violinist and composer Claire Delbos, whose nickname was Mi. He wrote the words himself, with Biblical...
La regatta veneziana
from Les soirées musicales
) opened the lunchtime concert to delight a well filled church, with the... read more
The concert title might have celebrated the season but there was little in the programme, other than the last of Poulenc’s songs, that seemed specific to April either in the northern or southern hemispheres.
However, let us suppose (I don’t know) that the Venetian regatta takes place in April; Rossini’s infectious duet (