This student recital was a showcase for an honours student (Solomon) set beside four first and second year students. The test for the audience might have been to have asked them to identify the levels of accomplishment of each, without knowing their place in the academic hierarchy. Without denigrating the splendid playing of Solomon, I was often surprised at both the skill and the interpretive insights displayed by the...
Sakura No Hana Variations
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Jane Curry introduced this recital by making generous remarks about the dedication and hard work by the year-round organisers of these important lunchtime concerts, Marjan van Waardenberg and the church’s administrator, David Medland.
Having a couple of highly competent guitarists performing means relaxing, knowing that even complex music will be reproduced faithfully, sensitively and accurately. In this case, the programme consisted of innovative, recent compositions.
This lunchtime concert combined two young chamber groups in music that touched on tragic themes and conditions of the heart, physical and emotional. Perhaps they were to be seen as metaphysically linked.
We have heard several performances by Donald Maurice’s Archi d’amore Zelanda; the last let us hear both the viola d’amore and the modern viola; in fact the last outing was just a fortnight ago, as part of an...
As noted in my review of the recital by NZSM guitar students on 20 April, this programme was to have been by the students, while Moriarty would have played on 20 April.
It was well worth the wait. Each of Moriarty’s recitals produces an extraordinary range of music either written or arranged for the guitar, from all eras from the Renaissance to the present. This recital spanned from the early...
arranged by Julian Arcas. It made an engaging start to the concert.
Emma Sanders chose what might be... read more
This programme was a last-minute replacement for the scheduled performance by guitarist Owen Moriarty who will now play on 11 May. These students were to have played on that day.
There was another alteration, with the first player, Royden Smith, replaced by Jake Church who played a pot-pourri of tunes from
This year is the 400th anniversary not just of the death of Shakespeare, as the whole world knows, but also of Miguel Cervantes. Not only the same year, but also the same month – April – and even more surprising just one day apart! S. on 23 and C. on 22 April.
Cervantes was longer-lived, having been born in 1547. In an introduction it was pointed out that the two players...
Duo Tapas have been long-standing ornaments at St Andrew’s lunchtime concerts and are enterprising in the range of music they find to perform. That of course is due mainly to the lack of music written specifically for the two instruments, although the pair lend themselves readily to music for violin and piano and for the guitar, accompanying many other instruments.
Unusually, they began with a piece by Pachelbel for organ...
I last heard this trio in October last year in the Adam Concert Room at Victoria University where I was taken with the unexpectedly charming effects of the combination of three instruments, none of which demand attention to itself at the expense of the music or of each other.
The Ryom catalogue of Vivaldi’s works lists eight concertos including the viola d’amore, and this is the only one that is...
The last concert of the year in the university school of music’s Friday lunchtime series. I’ve been getting to too few of these rewarding little concerts in the past few years – a failing that I’ve commented on before.
But I was very happy to be there today to listen to what could be described as a somewhat experimental performance: the putting together of two modern, conventional instruments with one...
, was omitted.
Thus, in contrast to the hour-long viola concert on Wednesday, this one was about ten minutes shorter than the normal 45 minutes.
Two guitarists calling themselves Duo Kita, Jake Church and... read more
The last of the four showcase concerts from the New Zealand School of Music offered guitarists a platform. One of the four programmed players could not appear, meaning that a piece by New Zealand composer Mike Hogan,