An attractive concert was detracted from by the lack of a printed programme; the introduction by Carolyn Mills was eminently audible; not all her university student pupils emulated her in this respect, despite the use of a microphone. The opening work was quiet and impressionistic, consisting of melody and accompaniment.  There were some brilliant effects in these two movements, and a range of dynamics; it was skilfully played. The Serenade, by... read more