One should never underestimate the power of headlines as attention-grabbers! Experience suggests that some of these printed declamations are blatantly untrue, some patently absurd, and still others somewhat far-fetched (the few that are left have the merest grain of verisimilitude). In the present case, equating Douglas Lilburn's 1951 song-cycle Elegy with Schubert's Winterreise might be an impertinence for some people - in which case they will qualify the heading of... read more

It was surprising to find the Tudor Consort performing works by New Zealand composers, and even more surprising to read the title of the concert.   However, there was no question, when one heard the works, about the influence of the renaissance composers on these down-under writers.  There was even less question, but rather joyful astonishment, at the skill of these works, and of The Tudor Consort in presenting them ... read more

Imaginative programming can often bring surprising results. Candlelight in a beautiful church is a certain winner through producing a spiritual atmosphere, especially if timed so that the evanescent sunlight through the stained glass fades in the course of the first half hour. As for the programme, all three pieces had been played before by the quartet; Metamorphosen at the Adam Chamber Music Festival in Nelson in February this year, and... read more

If there's ever a composer who seems to have been "rediscovered" by a fresh generation of performers, then Douglas Lilburn is the one, his music seeming to appeal as readily to today's young players as it did to many of the composer's similarly delighted and steadfast contemporary champions. New recordings of many of Lilburn's major works have appeared over the last few years, a couple of these projects containing substantial... read more

The first thing to remark is the unfortunate clash between this concert and that in the Michael Fowler Centre by the Vector Wellington Orchestra with pianist Diedre Irons. But in addition to that, there was a concert by the Wellington Community Choir next door, in the Town Hall main auditorium.

Though there were only two pieces, both by Debussy, that could be regarded as standard repertoire, the audience... read more

For the approximately 30 souls who braved yet another night of freezing temperatures, strong winds and driving rain, this was a rewarding occasion. The acoustics of the relatively intimate Council Chamber seemed just right for this combination of clarinets, played by such proficient performers. Despite the group’s subtitle, this was a demonstration of the euphonious and very flexible instruments that are clarinets.

Being a concert of... read more

This year marks ten years since the death of leading New Zealand composer Douglas Lilburn. As part of commemorations, the School of Music arranged this concert to remember a long-serving former staff member of the Victoria University School of Music.

The quartet in E minor, published in 1946, includes plenty of virtuosic material; the players more than rose to the challenge – they played well, with... read more

In a real sense this concert epitomized what a "Made in New Zealand " concert ought to be about - presenting its listeners with plenty of excitement, frustration, argument and satisfaction, putting life alongside art in fine style. Everybody will, of course, make up their own cocktail mix from the aforementioned ingredients when recalling the concert and its afterglow (some will add other things, while others will make do... read more

Continuing its work on behalf of classical music's contemporary voices, the SMP Ensemble produced yet another absorbing and thought-provoking line-up of works from home and abroad with its program XPΩMATA - Colours. Without resorting to mega-anarchic practices, the group seems always to manage (via its own version of an incredible lightness of being) to blow invigorating gusts of fresh air through normal concert procedures and presentations, making each event... read more