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Posts tagged: opera

Lively and colourful Iolanthe from Wellington G&S Light Opera

By , 14/07/2017
Iolanthe is one of the operettas admired by many who take it upon themselves to judge musical worth, and it doesn’t rank among the most popular, with Pirates, Mikado, Gondoliers and Pinafore. The company last staged Iolanthe in 2008. Here was a chance to see how those opinions stack up with someone who was not seeing it for the first time (I saw the 2008 production and reviewed it in... read more

NZ Opera’s 2017 Carmen surprises, disconcerts and delights

By , 01/06/2017
There's almost always a lot to like in any production of Carmen. On the face of things the opera has everything that any theatre-goer-cum-music-lover could wish for - like the Shakespearean character who says "four feasts are forward", one can say Carmen has the four things which ensure operatic success - spectacle, drama, compelling characters and memorable tunes. Of course, these things don't make or play themselves, and, despite... read more

NZ Opera’s Mikado contentious but “not to be missed”

By , 25/02/2017
When W.S.Gilbert's ornamental Japanese sword fell off the wall of his study while he was turning over in his mind ideas for his latest operatic collaboration with Sir Arthur Sullivan, The Mikado was born - or so all the G&S history books tell us. In fact, there happened to be a vogue for japonaiserie in England at the time Mikado first hit the stage, instigated some years before by... read more

Days Bay Opera’s twelfth production handles Eugene Onegin with youthful energy and perceptivity

By , 15/02/2017
Days Bay Opera continues its eclectic repertory policies, that have ranged from the mid 16th century to the 20th. For this, it was back to the garden, after the indoors performance of Theodora, on a fine but somewhat cool evening. What may well have been a worry was a summer that is hardly worthy of the name, and further performances of both pieces on the following days may not have... read more

Melbourne’s Ring cycle revival a spectacular triumph

By , 16/12/2016
Introduction I went to the third run of the Ring in Melbourne, in December. At its first incarnation in 2013, I had rather set it aside, partly because the ticket prices were pretty steep – well over $1000 for the four – and something in me said that, as I have seen the entire cycle five times over the years, in various places including Bayreuth, I doubted whether Opera Australia... read more

Sweeney Todd – powerful and disturbing theatre at St.James’, Wellington

By , 30/09/2016
Stuart Maunder, New Zealand Opera's chief, and the director of the company's current production of Stephen Sondheim's "Sweeney Todd", showing at Wellington's St.James Theatre, called the show in a welcome message written in the programme "a meaty night out at the opera". I admit I took fright for an instant, irrespective of my largely carnivorous food preferences history. It was just that I didn't really fancy watching a series... read more

Admirably staged and sung opera and music theatre excerpts from the school of music

By , 11/09/2016
The school of music’s once annual opera productions have in recent years fallen back to biennial events. In the between years, students create a series of scenes from opera, against a background of elementary sets and a few props that can, with a bit of imagination, be used in various settings. This production employed around sixteen singers, though the photo gallery in the printed programme contained 23 faces which included... read more

Magical I Capuleti e i Montecchi (Bellini) the tenth production by Rhona Fraser’s Opera in Days Bay

By , 27/08/2016
This production of Bellini’s I Capuleti e i Montecchi, like the productions of several of the operas done by Rhona Fraser’s Days Bay company, was probably the New Zealand premiere. Though there may have been performances by minor opera groups over recent years, I’m sure no recent professional production would have escaped me. (but see more in the Appendix below) One of the problems with this assumed Shakespeare-modelled piece has been... read more

Don Giovanni scores impressively in performance by Eternity Opera’s second cast

By , 24/08/2016
When I arrived at the theatre at 7pm, I was surprised (and delighted) to find a box office queue out to the street. Though it proved to be largely because there was only one person handling both sales and the collection of already purchased tickets, it did show that the production had attracted high interest, and indeed by 7.30, there was scarcely an empty seat in the house. This was... read more

The Don rides out again – Eternity Opera’s “other” Don Giovanni

By , 20/08/2016
What a delight to be able to enjoy, within the space of a few days, a second, almost entirely different cast performing the same operatic production! Eternity Opera's Don Giovanni had opened on the previous Saturday (reviewed by Middle C, below) and this was the single chance for the "understudy cast" members to demonstrate what they could do in public - with the exception of the Zerlina, Emily Mwila... read more

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