I missed the equivalent concert last year, marking the Chinese New Year, but heard it broadcast a couple of weeks ago by RNZ Concert (on Monday 23 January). The splendid performances obtained by conductor Perry So persuaded me that I should go to this year’s concert that he was also to conduct. While last year’s concert included, as Chinese content, the suite by Bright Sheng, Postcards, and arias from... read more

Kurt Sanderling, who died last year in Berlin at the age of 98, was a name known to me from my formative days of record-collecting, through his 1950s recording made with the Leningrad Phllharmonic of Rachmaninov's Second Symphony - one of those early cotton-stitched white-and-yellow panelled Deutsche Grammophon LP covers with the composer's facsimile autograph scribbled across the central vertical yellow panel (all very tasteful and esoteric, obviously aimed at... read more

The NZSO brought its year to an end (apart from a family-oriented appearance at Te Papa on Saturday) with two ‘outreach’ concerts which gave retiring chief executive Peter Walls the chance to demonstrate both his conducting prowess and his distinctive gifts as a musical communicator, with words. The hall was almost full, with many family groups, and lots of faces unfamiliar at regular orchestral concerts. This second concert, running little over... read more

The hour-long concert was devised, and proved to be, a good introduction to classical music for those who wanted a taste to see if they would like to plunge in.  The concert was free, and the hall almost full. Surely not many CEOs of orchestras are also conductors; it is probably rare for a symphony orchestra Chief Executive officer to conduct the orchestra as a swan-song to his job.  Of... read more

Michael Joel is a major conductor in the New Zealand orchestral, choral and opera scene, particularly in Christchurch which is where I guess I first encountered him, conducting for Canterbury Opera’s Lakmé, La Traviata and Rossini’s Le comte Ory. He has conducted the Wellington Chamber Orchestra at least once before. Though I should be reluctant to ascribe all the credit for the impressive performances in this concert to him –... read more

A full Town Hall auditorium and a stage crowded with a great orchestra of some 85 players, put me in mind of the Town Hall concerts that an NZSO of 30 years ago could sell out. An entirely French programme was the perfect response to the Wellington Orchestra’s encounter with the wonderful Swedish mezzo who has indeed cultivated a special gift in the language and music of France. As Marc Taddei... read more

The first thing that struck me about the otherwise excellent programme notes was the absence of any direct comment about the thrust of the 1927 German film as an anti-capitalist document. The notes suggest that the scenes of forced labour foreshadowed the concentration camps. That seems a misleading remark, considering NAZI taking power was still six years away, while exploitation of industrial workers had characterized most industrial enterprises since the... read more

In this concert, unlike any of the others in this series, the major works were both in minor keys.  However, it started with a work of a cheerful and light nature, described by Inge van Rij in her pre-concert talk, as “Popular and serious styles working hand in hand”. It was pleasing to see a much bigger audience at this concert.   Obviously there are many people for whom the weekend... read more

This Brahms festival which started on Wednesday, has created a wonderful festive atmosphere in the Michael Fowler Centre each evening. Though on Friday, the audience was of reasonable size – I guess around 1200 – earlier it had been smaller, but the atmosphere was there from the first evening. It’s sad that so many things militate against several thousand people waking up to the marvels of good music and... read more

With Brahms being Radio New Zealand Concert’s composer of the week this week, plus this series of four New Zealand Symphony Orchestra concerts, music-lovers are being treated to a veritable festival of his music.  How wonderful this morning (Friday) to hear on radio Jonathan Lemalu’s superlative, sensitive recording of the composer’s Four Serious Songs. On Thursday it was more of his symphonic music, following the first concert in the series... read more