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Posts tagged: violin

Edo de Waart and NZSO in deeply assimilated music of Brahms, Wagner and Sibelius (with Janine Jansen)

By , 10/11/2017
The programme might have looked fairly conventional, except that the symphony, usually the sole occupant of the second half of the traditional concert, was played first. That may have been because the Sibelius concerto enjoys one of the most exciting endings while Brahms’s Third Symphony is a favourite as a result of its steering a path between peacefulness and joy and quiet drama, ending with one of most reflective... read more

A somewhat impromptu lunchtime recital proves a delight at St Andrew’s

Having left the reviewing duty unplanned, both Lindis Taylor and I found ourselves at this recital, mutually unaware of each other at the time; we decided to combine our impressions. Prizes (a free annual pass for the St Andrew's lunchtime concerts in 2018) for successful identification of the origin of the various remarks. This programme was arranged at short notice after the originally scheduled players withdrew. Three separate duos, it... read more

NZSM students give insightful performances of New Zealand music and pieces by Haydn, Beethoven, Brahms and Barber

By , 12/09/2017
We’ve been neglecting Old St Paul’s lunchtime concerts this year, and so I was glad to find a good audience for this varied exhibition of NZSM piano talent. It began with Amanda Bunting who played two pieces: the first movement of Beethoven’s Tempest sonata (Op 31 No 2) and Samuel Barber’s Excursions, first movement. Though the Tempest is obviously still a work in progress, with quite a lot of slips... read more

BEETHOVEN – Violin and Piano Sonata Series – a final frolic and a fury, to great acclaim!

By , 01/09/2017
The excellently-written programme notes accompanying this series of concerts made reference to the "frolicsome" mood of Beethoven's A Major Violin Sonata Op.12 No.2, which opened this, the last of the lunchtime series of concerts given by Bella Hristova and Michael Houstoun. The very opening of the work's Allegro vivace beginning was smile-inducing, the buoyantly-tripping rhythms shared by both instruments, the piano slightly more dominant in this environment (and more... read more

Beethoven violin sonata series: Spring – molto espressivo – and its companion sonata are a delight

We are fortunate indeed to have a full week (Monday to Friday) of these wonderful sonatas.   Having them performed in the Renouf Foyer proved to be an excellent decision – not so large and cavernous as the main auditorium, but still seating a large number of people; my rough calculation came to upwards of 300, and nearly all the available chairs filled. Both sonatas were composed 1800-1801, for the wealthy... read more

Bruch’s violin concerto and Beethoven’s Seventh survive another (splendid) exposure as great works

By , 12/08/2017
It’s unusual for the NZSO to stage two concerts on consecutive evenings in the same town, though often enough they travel to different towns for concerts on consecutive nights. This time it was presumably to make full use of Karen Gomyo’s short visit to New Zealand with concerts only in Wellington and Auckland. In the past I have remarked on the boring CVs about guest soloists that get printed in... read more

Mahler, Berg – and Salina Fisher, from the NZSO – music of innocence and experience

By , 11/08/2017
Spectres, once they’re established, can haunt the world of music for decades, for oceans of time, during which certain attitudes and values can be gradually eroded, or else further entrenched. The fact that each of this concert’s three items might well have reawakened specific “ghosts” lurking among the sensibilities of the NZSO’s many loyal supporters might well have accounted for the relative paucity of attendance (by my reckoning the... read more

String student talents impressively exhibited at St Andrew’s lunchtime concert

This was, on the whole, an impressive line-up of young string players.  They are presumably at different stages in their studies (in other years the printed programme for such concerts has shown which year each player was, which was helpful in appreciating their level of skill). The Brahms sonata is one of his most elegiac pieces.  However, the tone of Charlotte Lamb’s violin being a little harsh didn’t match this... read more

Renowned Bach scholar and conductor Suzuki with fine baroque ensemble Juilliard415

It is wonderful for audiences in New Zealand to welcome back Masaaki Suzuki, this time with an ensemble of students from the famous Juilliard School based at the Lincoln Center in New York.   The 18 instrumentalists came from 8 different countries. Suzuki, as well as running his own choral and orchestral ensembles and teaching in Tokyo, teaches also at Juilliard.  He is a renowned Bach scholar and conductor, and... read more

“Firebird” from Orchestra Wellington an incendiary experience

By , 13/05/2017
This was, in this best of all possible worlds, the best possible start to Orchestra Wellington's "The Impresario" season, a beautifully-devised concert whose centrepiece was Igor Stravinsky's 1910 Ballet "The Firebird". This piece, commissioned by the Russian-born artistic entrepreneur Sergei Diaghilev for the Ballets Russes in Paris, began a collaboration between composer and impresario which was to produce three of the most famous ballets of the 20th century, the... read more

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