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Posts tagged: vocal

Brahms for lunch at St.Andrew’s-on-The-Terrace

By , 12/07/2017
  As a counter to the day's wintry woes, the music of Johannes Brahms provided an interlude of gentle autumnal rest and refreshment, with the first of the two late clarinet sonatas (here performed in the version for viola made by the composer), and the two songs which make up Op.91, Zwei Gesänge for voice, viola and piano. Both compositions occasioned interestingly flavoured associations, if of a diametrically opposed nature... read more

Kapiti Chamber Choir with the Romantic Triangle: Brahms, Clara Schumann, Robert Schumann

As I observed of the last Kapiti Chamber choir concert I reviewed  (three years ago), none of the choral items in the first half was an easy sing, and most  were unaccompanied.  Good observation of dynamics was a significant feature throughout the concert.  The items were sung in the original German language except the Requiem, which was in Latin.  English translations were printed in the programme. Before the concert began... read more

Rich and diverting recital of songs by Takiri vocal quartet and piano at Waikanae

The reviewing of this concert was shared by Rosemary Collier and Lindis Taylor. First part: Rosemary Collier  Two years ago the ensemble sang for the Waikanae Music Society; on that occasion the mezzo was Bianca Andrew and the tenor Andrew Glover.  That programme also began with a bracket of well-known Schubert lieder, then progressed to Schumann (I’m embarrassed to say his songs were the Spanische Liebeslieder, which in a very recent review... read more

Renowned Bach scholar and conductor Suzuki with fine baroque ensemble Juilliard415

It is wonderful for audiences in New Zealand to welcome back Masaaki Suzuki, this time with an ensemble of students from the famous Juilliard School based at the Lincoln Center in New York.   The 18 instrumentalists came from 8 different countries. Suzuki, as well as running his own choral and orchestral ensembles and teaching in Tokyo, teaches also at Juilliard.  He is a renowned Bach scholar and conductor, and... read more

Renowned Bach scholar and conductor Suzuki with fine baroque ensemble Juilliard415

It is wonderful for audiences in New Zealand to welcome back Masaaki Suzuki, this time with an ensemble of students from the famous Juilliard School based at the Lincoln Center in New York   The 18 instrumentalists came from 8 different countries. Suzuki, as well as running his own choral and orchestral ensembles and teaching in Tokyo, teaches also at Juilliard.  He is a renowned Bach scholar and conductor, and Wellington... read more

Duets and other lunchtime delights at St.Andrew’s

By , 19/04/2017
Here was a particularly happy marriage of music, performance and occasion, the repertoire engaging, balanced and varied, and the performances idiomatic, focused, and whole-hearted. Serving up the music of Brahms with firstly that of Ravel seemed to me to somehow underline the impishness of the former with the ironic wit of the latter, so that each of the worlds resonated and sparkled all the more. And secondly, the choice of... read more

Strauss’s final tone poem a mighty opening for the NZSO’s 2017 season

By , 25/03/2017
Here was a concert designed to attract various classes of music lovers: those attached to the classical heartland, discreetly coloured by a pictorial Romanticism; lovers of the voice in melodious, conventional guise with music composed at the turn of the 20th century; and finally, for those susceptible to musical expressionism on a vast scale, an evocation of vast natural phenomena and secular voluptuousness. Though the orchestra had its first major... read more

Nelson Chamber Music festival again New Zealand’s biennial musical highlight

By , 10/02/2017
My visit this year to the Nelson Chamber Music Festival was shorter than in previous years, arriving late afternoon on the Tuesday and departing midday Saturday. The highlights from abroad were the presence of Hungarian pianist Dénes Varjon, the Australian tenor, Andrew Goodwin (singing Schumann’s Dichterliebe), the Goldner Quartet and cellist Matthew Barley. The essence of the festival rests with the New Zealand String Quartet, which founded and sustained the festival... read more

Unfamiliar but rewarding music to mark Conference on 17th and 18th century English music

When on Wednesday after the lunchtime concert someone drew my attention to a poster in St Andrew’s Church foyer, advertising a concert the following early evening, I was unaware of its provenance.  It transpired that it was in association with the 11th Biennial Conference of the Australian and New Zealand Association for Medieval and Early Modern Studies.  Therefore the substantial audience was largely made up of delegates to this... read more

No Christmas without “Messiah” – with the Tudor Consort and the NZSO

  This was a remarkable performance, in many ways.  The smaller-than-usual orchestra was matched by a larger-than-usual Tudor Consort in fine voice, and splendid soloists, all directed by Australian Handel specialist Graham Abbott.  Unusually, there were no cuts in the score; all was performed.  ‘Their sound is gone out’, in Part II is usually a chorus.  But this was composed three years after the première; in the first performance it... read more

Panorama Theme by Themocracy