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	Comments on: Splendid Bartók; evocative New Zealand piece; guitarist substitution perhaps not a misfortune	</title>
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	<link>https://middle-c.org/2017/07/splendid-bartok-evocative-new-zealand-piece-guitarist-substitution-perhaps-not-a-misfortune/</link>
	<description>Classical Music Reviews, Wellington, New Zealand</description>
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		<title>
		By: David McCaw		</title>
		<link>https://middle-c.org/2017/07/splendid-bartok-evocative-new-zealand-piece-guitarist-substitution-perhaps-not-a-misfortune/comment-page-1/#comment-694175</link>

		<dc:creator><![CDATA[David McCaw]]></dc:creator>
		<pubDate>Tue, 01 Aug 2017 08:59:55 +0000</pubDate>
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					<description><![CDATA[To adequately represent the wonderful tone and dynamics produced by this phenomenal guitarist I have to confess that the microphones mentioned were there solely for our RNZ Concert broadcast and didn&#039;t contribute one decibel to the sound the audience heard in the auditorium. Villegas played without any amplification as Rodrigo intended and the composer&#039;s scoring took care of the rest. I completely understand when this inference is drawn but wanted to put the record straight because Pablo Sainz Villegas was clearly the real deal.
The encore was &#039;Gran Jota&#039; by Francisco Tárrega.]]></description>
			<content:encoded><![CDATA[<p>To adequately represent the wonderful tone and dynamics produced by this phenomenal guitarist I have to confess that the microphones mentioned were there solely for our RNZ Concert broadcast and didn&#8217;t contribute one decibel to the sound the audience heard in the auditorium. Villegas played without any amplification as Rodrigo intended and the composer&#8217;s scoring took care of the rest. I completely understand when this inference is drawn but wanted to put the record straight because Pablo Sainz Villegas was clearly the real deal.<br />
The encore was &#8216;Gran Jota&#8217; by Francisco Tárrega.</p>
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