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	Comments on: Monumental NZSO concert of Russian masterpieces with cellist Johannes Moser	</title>
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	<link>https://middle-c.org/2018/10/monumental-nzso-concerto-of-russia-masterpieces-with-cellist-johannes-moser/</link>
	<description>Classical Music Reviews, Wellington, New Zealand</description>
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		By: Lindsay Stockbridge		</title>
		<link>https://middle-c.org/2018/10/monumental-nzso-concerto-of-russia-masterpieces-with-cellist-johannes-moser/comment-page-1/#comment-694256</link>

		<dc:creator><![CDATA[Lindsay Stockbridge]]></dc:creator>
		<pubDate>Mon, 15 Oct 2018 08:36:48 +0000</pubDate>
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					<description><![CDATA[I travelled from Whanganui on Saturday because I wanted to hear the NZSO again AND I wanted to hear the Shostakovich AND I wanted to hear Johannes Mosen play BUT I wanted to see Peter Ountjian conduct.  Why? I&#039;ve admired him ever since buying the DVD &quot;Five Days in September&quot; which highlighted the part he played in reinvigorating the Toronto Symphony Orchestra 14 years ago.

I wasn&#039;t disappointed.  I bought a seat which didn&#039;t give me the best sound in the house but which, from door 21, gave me a perfect view of Ountjian&#039;s brilliant work in collaborating with the players to bring out a top performance.

To this non-player with nevertheless a keen interest in symphonic music which compels six to eight concert journeys per annum, Ountjian&#039;s work was fantastic.  The eyebrows, the smiles, the winks - all were put to work, along with all-encompassing arm movement (no doubt there&#039;s a technical term)and careful and well-timed &quot;your turn&quot; signals to individual players (another term, please tell me).

So, NZSO+++, Mosen+++ (wow!), Shostakovich+++ (who else?)- but most of all Peter Ountjian - PRIMO!!!]]></description>
			<content:encoded><![CDATA[<p>I travelled from Whanganui on Saturday because I wanted to hear the NZSO again AND I wanted to hear the Shostakovich AND I wanted to hear Johannes Mosen play BUT I wanted to see Peter Ountjian conduct.  Why? I&#8217;ve admired him ever since buying the DVD &#8220;Five Days in September&#8221; which highlighted the part he played in reinvigorating the Toronto Symphony Orchestra 14 years ago.</p>
<p>I wasn&#8217;t disappointed.  I bought a seat which didn&#8217;t give me the best sound in the house but which, from door 21, gave me a perfect view of Ountjian&#8217;s brilliant work in collaborating with the players to bring out a top performance.</p>
<p>To this non-player with nevertheless a keen interest in symphonic music which compels six to eight concert journeys per annum, Ountjian&#8217;s work was fantastic.  The eyebrows, the smiles, the winks &#8211; all were put to work, along with all-encompassing arm movement (no doubt there&#8217;s a technical term)and careful and well-timed &#8220;your turn&#8221; signals to individual players (another term, please tell me).</p>
<p>So, NZSO+++, Mosen+++ (wow!), Shostakovich+++ (who else?)- but most of all Peter Ountjian &#8211; PRIMO!!!</p>
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