<?xml version="1.0" encoding="UTF-8"?><rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:wfw="http://wellformedweb.org/CommentAPI/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
	xmlns:slash="http://purl.org/rss/1.0/modules/slash/"
	>

<channel>
	<title>Comment on Review &#8211; Middle C</title>
	<atom:link href="https://middle-c.org/category/comment-on-review/feed/" rel="self" type="application/rss+xml" />
	<link>https://middle-c.org</link>
	<description>Classical Music Reviews, Wellington, New Zealand</description>
	<lastBuildDate>Sat, 04 Apr 2020 08:58:01 +0000</lastBuildDate>
	<language>en-NZ</language>
	<sy:updatePeriod>
	hourly	</sy:updatePeriod>
	<sy:updateFrequency>
	1	</sy:updateFrequency>
	<generator>https://wordpress.org/?v=7.1.4</generator>

<image>
	<url>https://middle-c.org/wp-content/uploads/2022/08/cropped-treble-clef-32x32.jpeg</url>
	<title>Comment on Review &#8211; Middle C</title>
	<link>https://middle-c.org</link>
	<width>32</width>
	<height>32</height>
</image> 
	<item>
		<title>The composer of Kopernikus, Claude Vivier: interview with conductor Vladimir Jurowski</title>
		<link>https://middle-c.org/2020/04/the-composer-of-kopernikus-claude-vivier-interview-with-conductor-vladimir-jurowski/</link>
					<comments>https://middle-c.org/2020/04/the-composer-of-kopernikus-claude-vivier-interview-with-conductor-vladimir-jurowski/#respond</comments>
		
		<dc:creator><![CDATA[Lindis Taylor]]></dc:creator>
		<pubDate>Sat, 04 Apr 2020 08:58:01 +0000</pubDate>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Comment on Review]]></category>
		<category><![CDATA[contemporary music]]></category>
		<category><![CDATA[opera]]></category>
		<guid isPermaLink="false">https://middle-c.org/?p=15829</guid>

					<description><![CDATA[Why Quebec composer Claude Vivier was ahead of his time In the absence of real concerts that Middle C can review, why not publish things of musical interest that might in small part make up for the deprivations we all suffer at present?  Here is an article that appeared in 2018 in the Montreal Globe <a class="read-more" href="https://middle-c.org/2020/04/the-composer-of-kopernikus-claude-vivier-interview-with-conductor-vladimir-jurowski/">Read More</a>]]></description>
		
					<wfw:commentRss>https://middle-c.org/2020/04/the-composer-of-kopernikus-claude-vivier-interview-with-conductor-vladimir-jurowski/feed/</wfw:commentRss>
			<slash:comments>0</slash:comments>
		
		
			</item>
		<item>
		<title>The Creation of Music Futures: object lesson in enterprise</title>
		<link>https://middle-c.org/2015/08/the-creation-of-music-futures-object-lesson-in-enterprise/</link>
					<comments>https://middle-c.org/2015/08/the-creation-of-music-futures-object-lesson-in-enterprise/#respond</comments>
		
		<dc:creator><![CDATA[Lindis Taylor]]></dc:creator>
		<pubDate>Sat, 01 Aug 2015 12:28:03 +0000</pubDate>
				<category><![CDATA[Comment on Review]]></category>
		<category><![CDATA[chamber music]]></category>
		<category><![CDATA[students]]></category>
		<guid isPermaLink="false">https://middle-c.org/?p=10343</guid>

					<description><![CDATA[Music Futures &#8211; the birth of a good idea A new voluntary body to help young musicians find their way Sunday 2 August 2015 This post refers to our review of the concert of 26 July promoted by Music Futures, featuring young Wellington musicians, some of whom were involved with the current Chamber Music contest <a class="read-more" href="https://middle-c.org/2015/08/the-creation-of-music-futures-object-lesson-in-enterprise/">Read More</a>]]></description>
		
					<wfw:commentRss>https://middle-c.org/2015/08/the-creation-of-music-futures-object-lesson-in-enterprise/feed/</wfw:commentRss>
			<slash:comments>0</slash:comments>
		
		
			</item>
		<item>
		<title>Il Corsaro &#8211; a New Zealand premiere, but not the Australasian one</title>
		<link>https://middle-c.org/2013/09/il-corsaro-a-new-zealand-premiere-but-not-the-australasian-one/</link>
					<comments>https://middle-c.org/2013/09/il-corsaro-a-new-zealand-premiere-but-not-the-australasian-one/#respond</comments>
		
		<dc:creator><![CDATA[Lindis Taylor]]></dc:creator>
		<pubDate>Sat, 07 Sep 2013 05:16:05 +0000</pubDate>
				<category><![CDATA[Comment on Review]]></category>
		<category><![CDATA[News]]></category>
		<category><![CDATA[Reviews - Concerts]]></category>
		<category><![CDATA[opera]]></category>
		<guid isPermaLink="false">https://middle-c.org/?p=7657</guid>

					<description><![CDATA[A post-script to the New Zealand School of Music&#8217;s production of Verdi&#8217;s Il Corsaro In reference to the reviews published in this website on 26 July. In the review I sent to Opera magazine (London) of the New Zealand School of Music’s production of Il Corsaro in July, I wrote not only that was it <a class="read-more" href="https://middle-c.org/2013/09/il-corsaro-a-new-zealand-premiere-but-not-the-australasian-one/">Read More</a>]]></description>
		
					<wfw:commentRss>https://middle-c.org/2013/09/il-corsaro-a-new-zealand-premiere-but-not-the-australasian-one/feed/</wfw:commentRss>
			<slash:comments>0</slash:comments>
		
		
			</item>
		<item>
		<title>Cantoris and Rachel Hyde take flight with Pärt</title>
		<link>https://middle-c.org/2011/08/cantoris-and-rachel-hyde-take-flight-with-part/</link>
					<comments>https://middle-c.org/2011/08/cantoris-and-rachel-hyde-take-flight-with-part/#respond</comments>
		
		<dc:creator><![CDATA[Peter Mechen]]></dc:creator>
		<pubDate>Thu, 18 Aug 2011 12:00:21 +0000</pubDate>
				<category><![CDATA[Comment on Review]]></category>
		<category><![CDATA[Reviews - Concerts]]></category>
		<category><![CDATA[choral]]></category>
		<guid isPermaLink="false">https://middle-c.org/?p=4694</guid>

					<description><![CDATA[ARVO PÄRT Bogoroditze Djev  (O Mother of God) / The Woman With the Alabaster Box Kanon Pokojanen (Odes 1, 7 &#38; 9) / Nunc Dimittis Cantoris, directed by Rachel Hyde St.Andrew&#8217;s on-the-Terrace, Wellington &#8211; Lunchtime Concert Series Wednesday, 17th August 2011 (review adapted from transcript notes of a review on RNZ Concert&#8217;s &#8220;Upbeat&#8221;,with Clarissa Dunn, 19.08.11) <a class="read-more" href="https://middle-c.org/2011/08/cantoris-and-rachel-hyde-take-flight-with-part/">Read More</a>]]></description>
		
					<wfw:commentRss>https://middle-c.org/2011/08/cantoris-and-rachel-hyde-take-flight-with-part/feed/</wfw:commentRss>
			<slash:comments>0</slash:comments>
		
		
			</item>
		<item>
		<title>Hannah-Elizabeth Teoh&#8217;s encores</title>
		<link>https://middle-c.org/2011/07/hannah-elizabeth-teohs-encores/</link>
					<comments>https://middle-c.org/2011/07/hannah-elizabeth-teohs-encores/#respond</comments>
		
		<dc:creator><![CDATA[Lindis Taylor]]></dc:creator>
		<pubDate>Mon, 11 Jul 2011 11:18:34 +0000</pubDate>
				<category><![CDATA[Comment on Review]]></category>
		<category><![CDATA[News]]></category>
		<category><![CDATA[Reviews - Concerts]]></category>
		<category><![CDATA[piano]]></category>
		<guid isPermaLink="false">https://middle-c.org/?p=4472</guid>

					<description><![CDATA[In the review of Hannah-Elizabeth Teoh&#8217;s recital at St Andrew&#8217;s on The Terrace last Wednesday, 6 July, we had not identified the three encores that she played, and had emailed her for the details. She has told us: Scriabin&#8217;s Mazurka Op 3 No 6 and two Preludes, Op 22 No 2 and Op 11 No <a class="read-more" href="https://middle-c.org/2011/07/hannah-elizabeth-teohs-encores/">Read More</a>]]></description>
		
					<wfw:commentRss>https://middle-c.org/2011/07/hannah-elizabeth-teohs-encores/feed/</wfw:commentRss>
			<slash:comments>0</slash:comments>
		
		
			</item>
		<item>
		<title>Further to the review of Lewis&#8217;s Winterreise in Nelson: surtitles</title>
		<link>https://middle-c.org/2011/02/further-to-the-review-of-lewiss-winterreise-in-nelson-surtitles/</link>
					<comments>https://middle-c.org/2011/02/further-to-the-review-of-lewiss-winterreise-in-nelson-surtitles/#respond</comments>
		
		<dc:creator><![CDATA[Lindis Taylor]]></dc:creator>
		<pubDate>Sat, 26 Feb 2011 05:45:16 +0000</pubDate>
				<category><![CDATA[Comment on Review]]></category>
		<category><![CDATA[Reviews - Concerts]]></category>
		<category><![CDATA[Adam Chamber Music Festival at Nelson]]></category>
		<category><![CDATA[song recital]]></category>
		<guid isPermaLink="false">https://middle-c.org/?p=3813</guid>

					<description><![CDATA[My review of the recital at Nelson at which Keith Lewis and Michael Houstoun performed Schubert&#8217;s Winterreise had overlooked what I felt at the time to be a major innovation: the use of surtitles. I have now inserted the following paragraphs in my review of 9 February. &#8220;First, I should note an innovation that sets <a class="read-more" href="https://middle-c.org/2011/02/further-to-the-review-of-lewiss-winterreise-in-nelson-surtitles/">Read More</a>]]></description>
		
					<wfw:commentRss>https://middle-c.org/2011/02/further-to-the-review-of-lewiss-winterreise-in-nelson-surtitles/feed/</wfw:commentRss>
			<slash:comments>0</slash:comments>
		
		
			</item>
		<item>
		<title>Ensembles combine in magnificent Nelson concert</title>
		<link>https://middle-c.org/2011/02/ensembles-combine-in-magnificent-nelson-concert/</link>
					<comments>https://middle-c.org/2011/02/ensembles-combine-in-magnificent-nelson-concert/#respond</comments>
		
		<dc:creator><![CDATA[Lindis Taylor]]></dc:creator>
		<pubDate>Sat, 05 Feb 2011 10:45:49 +0000</pubDate>
				<category><![CDATA[Comment on Review]]></category>
		<category><![CDATA[Editorial]]></category>
		<category><![CDATA[Reviews - Concerts]]></category>
		<category><![CDATA[Reviews - Recordings]]></category>
		<category><![CDATA[chamber music]]></category>
		<category><![CDATA[News]]></category>
		<guid isPermaLink="false">https://middle-c.org/?p=3721</guid>

					<description><![CDATA[Mozart: Divertimento in E flat, K 563; Brigid Bisley: Unbound for String Quartet; Strauss: Metamorphosen for string septet Hermitage String Trio, New Zealand String Quartet, Hiroshi Ikematsu (double bass) Nelson Cathedral, Saturday 5 February, 5pm At several points during the festival the question what was the essence of chamber music arose through the pieces played. <a class="read-more" href="https://middle-c.org/2011/02/ensembles-combine-in-magnificent-nelson-concert/">Read More</a>]]></description>
		
					<wfw:commentRss>https://middle-c.org/2011/02/ensembles-combine-in-magnificent-nelson-concert/feed/</wfw:commentRss>
			<slash:comments>0</slash:comments>
		
		
			</item>
		<item>
		<title>Dialogues des Carmélites &#8211; the sources</title>
		<link>https://middle-c.org/2011/01/dialogues-des-carmelites-the-sources/</link>
					<comments>https://middle-c.org/2011/01/dialogues-des-carmelites-the-sources/#respond</comments>
		
		<dc:creator><![CDATA[Lindis Taylor]]></dc:creator>
		<pubDate>Sun, 16 Jan 2011 10:49:34 +0000</pubDate>
				<category><![CDATA[Comment on Review]]></category>
		<category><![CDATA[opera school]]></category>
		<guid isPermaLink="false">https://middle-c.org/?p=3691</guid>

					<description><![CDATA[In my review of the New Zealand Opera School’s gala concert on 13 January, I mentioned that Poulenc’s opera, Dialogues des Carmélites, in the last scene of which the Carmelite sisters are guillotined and&#160;which the women singers at the opera school performed, was based on a novel by Georges Bernanos. I erred. It was based <a class="read-more" href="https://middle-c.org/2011/01/dialogues-des-carmelites-the-sources/">Read More</a>]]></description>
		
					<wfw:commentRss>https://middle-c.org/2011/01/dialogues-des-carmelites-the-sources/feed/</wfw:commentRss>
			<slash:comments>0</slash:comments>
		
		
			</item>
	</channel>
</rss>
