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	<title>French opéra-bouffe &#8211; Middle C</title>
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	<title>French opéra-bouffe &#8211; Middle C</title>
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		<title>Offenbach&#8217;s anniversary year: Jewish, German, and essentially French; painstaking emergence and eventual triumph</title>
		<link>https://middle-c.org/2019/06/offenbachs-anniversary-year-jewish-german-and-essentially-french-painstaking-emergence-and-eventual-triumph/</link>
					<comments>https://middle-c.org/2019/06/offenbachs-anniversary-year-jewish-german-and-essentially-french-painstaking-emergence-and-eventual-triumph/#respond</comments>
		
		<dc:creator><![CDATA[Lindis Taylor]]></dc:creator>
		<pubDate>Thu, 20 Jun 2019 04:24:37 +0000</pubDate>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[French opéra-bouffe]]></category>
		<category><![CDATA[opera]]></category>
		<category><![CDATA[operetta]]></category>
		<guid isPermaLink="false">https://middle-c.org/?p=15100</guid>

					<description><![CDATA[Offenbach turns 200 today, Thursday 20 June. If you look hard enough, interesting anniversaries generally show up every year. But few recent years have been as interesting as this, especially for one who ranks the two best-known, French birthday celebrants right at the top of their class. It’s the 150th anniversary of Berlioz’s death (on <a class="read-more" href="https://middle-c.org/2019/06/offenbachs-anniversary-year-jewish-german-and-essentially-french-painstaking-emergence-and-eventual-triumph/">Read More</a>]]></description>
		
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