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	<title>women composers &#8211; Middle C</title>
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		<title>Unusual but timely concert by Supertonic, dynamic mixture of the musical, the political, the sexual</title>
		<link>https://middle-c.org/2018/05/unusual-but-timely-concert-by-supertonic-dynamic-mixture-of-the-musical-the-political-the-sexual/</link>
					<comments>https://middle-c.org/2018/05/unusual-but-timely-concert-by-supertonic-dynamic-mixture-of-the-musical-the-political-the-sexual/#respond</comments>
		
		<dc:creator><![CDATA[Lindis Taylor]]></dc:creator>
		<pubDate>Sun, 20 May 2018 11:25:20 +0000</pubDate>
				<category><![CDATA[Live performance]]></category>
		<category><![CDATA[Reviews - Concerts]]></category>
		<category><![CDATA[choral]]></category>
		<category><![CDATA[New Zealand music]]></category>
		<category><![CDATA[women composers]]></category>
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					<description><![CDATA[Supertonic conducted by Isaac Stone ‘Shakespeare’s Sister: celebrating the music of women who created art in the shadows of men&#8217; Music by Hildegard, Clara Schumann, Alma Mahler, Fanny Mendelssohn, Amy Beach, Francesca Caccini and Lili Boulanger, and two New Zealanders: Dorothy Buchanan and Rosa Elliott (who, at age 20, was the ‘featured composer’) Pipitea Marae, <a class="read-more" href="https://middle-c.org/2018/05/unusual-but-timely-concert-by-supertonic-dynamic-mixture-of-the-musical-the-political-the-sexual/">Read More</a>]]></description>
		
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