Supported by generous help from the Turnovsky Endowment Trust

Strauss’s final tone poem a mighty opening for the NZSO’s 2017 season

By , 25/03/2017
Here was a concert designed to attract various classes of music lovers: those attached to the classical heartland, discreetly coloured by a pictorial Romanticism; lovers of the voice in melodious, conventional guise with music composed at the turn of the 20th century; and finally, for those susceptible to musical expressionism on a vast scale, an evocation of vast natural phenomena and secular voluptuousness. Though the orchestra had its first major... read more

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