Supported by generous help from the Turnovsky Endowment Trust

Alleluia: many settings from Inspirare and Schola Cantorum (St Mark’s School) under Mark Stamper

By , 23/03/2019
The settings of Alleluia were by: Keith Christopher, Lyn Williams, Ralph Manuel, David Conte, Thomas LaVoy, Srul Irving Glick, Eric Whitacre, Handel, Paul Basler, Randall Thompson, Beethoven, Leonard Cohen (arr. Philip Lawson), Sydney Guillaume, David... read more

Chamber Music Hutt Valley to submit a winding-up motion at the 2019 AGM

By , 15/03/2019
The agenda of Chamber Music Hutt Valley’s AGM on Wednesday 27 March includes a motion that would wind up the society and bring its history of forty years of chamber music concerts in Lower Hutt to an end. The motion reads: “That the Executive is given the authority by this AGM to make CMHV inactive after the end of the 2019 season: the decision being based on a lack of committee... read more

Michael Endres surrounds Schubert with varied companion pieces at Mulled Wine concert

By , 10/03/2019
The first of this year’s Mulled Wine Concerts, organised by Mary Gow, usually in the Paekakariki Memorial Hall, took place in the South Raumati Hall because the other is undergoing earthquake treatment. It was a fine beginning to the year, musically, but was subject to sound problems (as does the Paekakriki hall to a less degree), broad, hard surfaces that present difficulties for a pianist. It’s easy enough to... read more

NZSO’s season-opening concert splendid, popular programme under Hamish McKeich

By , 27/02/2019
After nearly a fortnight touring this programme through seven towns throughout the country, the NZSO reached Wellington, where there was probably some expectation of highly polished performances. It was the first of the orchestra’s 16-concert, Podium Series. The surprise, to a certain extent, was that the orchestra not only seemed to have achieved a wonderful degree of clarity and flawlessness, but that it had lost no sense of spontaneity... read more

Direct from Nelson: Dénes Várjon and Izabella Simon in singular, absorbing solo and duet piano music

By , 17/02/2019
This concert was, reportedly, arranged through a somewhat unorthodox arrangement between the Adam Chamber Music Festival in Nelson and the Waikanae society. I’d spent five days in Nelson and had heard Dénes Várjon playing about four times, including once with his wife Izabella. One of them included the Hammerklavier as well as the last sonata, Op 111; but the first three pieces in this recital were played after I... read more

Tudor Consort opens 2019 season with Renaissance madrigals at summer concert in the sun

By , 16/02/2019
The first concert of the Tudor Consort’s year was in a different place and sang music that was different from their normal pattern. Yes, it was from the Renaissance – almost entirely composed in the 16th century, the Tudor age, and the first couple of decades of the 17th. (Purcell was the only one seriously out of place). And the music was not written for choirs or large ensembles; nor... read more

Adam Chamber Music Festival in Nelson; the second installment, of Monday and Tuesday reviews

By , 05/02/2019
Perhaps the decision to celebrate the restoration of the organ in the Nelson School of Music took a slightly eccentric course, by programming some pieces by Mozart. For while Mozart is known to have enjoyed playing, especially improvising on, organs wherever he encountered them, he wrote scarcely anything specifically for the organ. The Andante in F, K 616, written a short time before he died, is the only music that... read more

Adam Chamber Music Festival in Nelson: the first days

By , 03/02/2019
This was the first festival for five years that has been able to move back to the now magnificently enhanced Nelson School of Music (now called the Nelson Centre of Musical Arts). That, as well as the line-up of many top international musicians, saw the early sell-out of all but one of the nine superb evening concerts. That’s attributable also to the festival’s international reputation, attracting many people from... read more

Bach Choir celebrates Saint Cecilia, exploring interesting and important music with flair and taste

By , 16/12/2018
This was a famous concert: not many musical organisations survive for fifty years. In Wellington, only the NZSO and the Orpheus Choir can claim that (and I await outraged contradictions); though it might be possible to add Chamber Music New Zealand, a very important music promoter, which began as a Wellington society in 1945 and spread its reach nationally within a few years. The Bach Choir has had a distinguished... read more

A triumphant culmination of Pinchgut Opera’s work in Sydney: Hasse’s Artaserse

By , 05/12/2018
Though exposure to pre-Mozart opera, even of Gluck, has been infrequent in New Zealand, a great deal of 17th and 18th century opera has become main-stream in the Northern Hemisphere. There is hardly a composer of that period, acclaimed in his (or her) lifetime and then forgotten for 200 years, whose music has not been brushed off in recent years and played in a way that echoes the way... read more

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