This was a famous concert: not many musical organisations survive for fifty years. In Wellington, only the NZSO and the Orpheus Choir can claim that (and I await outraged contradictions); though it might be possible to add Chamber Music New Zealand, a very important music promoter, which began as a Wellington society in 1945 and spread its reach nationally within a few years. The Bach Choir has had a distinguished... read more

I couldn't remember when I'd last heard JS Bach’s Double Violin Concerto “live” when first posting this review – thanks to violinist Anne Loeser, who reminded me of a 2012 performance by the NZSO strings, I've had to sheepishly modify my previous "never before live" declaration; but, to my shame, it gets worse! - I actually reviewed the performance in Middle C! Oh, dear! - I'm dumbfounded as to... read more

It was tempting to describe this as a concert of unfamiliar twentieth-century music, however the symphony was composed and first performed in the 1880s. An enthusiastic audience filled the church to hear this interesting programme, that began with the rather elusive, indefinite opening of the Finzi work.  This had once been intended to be part of a symphony, but it never eventuated, and after many years, the work was completed... read more

Just for interest’s sakes I hearkened back to my “Middle C” review of an earlier Messiah here in Wellington conducted by Nicholas McGegan with the NZSO three years previously, one which I hailed as a focused and characterful performance throughout. There was plenty to wax enthusiastic about on that occasion – McGegan’s very “visceral “ way with some of the music’s more pictorial evocations, such as the frisson of excitement he... read more

Though exposure to pre-Mozart opera, even of Gluck, has been infrequent in New Zealand, a great deal of 17th and 18th century opera has become main-stream in the Northern Hemisphere. There is hardly a composer of that period, acclaimed in his (or her) lifetime and then forgotten for 200 years, whose music has not been brushed off in recent years and played in a way that echoes the way... read more

It had all the makings of a large and vital extended-family affair, with the usual concert rituals and parameters given a relaxed and informal spontaneity that readily brought musicians and audience together. I liked the buzz of excitement in both the foyer and the auditorium, one growing out of a sense of being in a friendly crowd and anticipating the delights to come! This was “Some Enchanted Evening”, a presentation... read more

Well, it was quite a night for Orchestra Wellington! – in front of an enthusiastic and appreciative audience at the Michael Fowler Centre on Saturday evening the musicians put everything they had into making the final night of the orchestra’s 2018 concert season one to remember. We were presented with a line-up of pieces which, if perhaps not all sure-fire crowd-pleasers, perfectly expressed the desire of the orchestra’s organisers... read more

The venue really brought it all alive, in a way that I thought a more conventional concert-chamber-like place wouldn’t have done. In the most positive way we in the audience seemed to be “put at ease” by the “late-night club” surroundings at Taranaki Street’s Pyramid Club, and, rather than attending a concert, were instead made to feel we were “eavesdropping” on the ongoing creative processes constituting and shaping each... read more

A larger-than-average audience came to hear this programme of a mixture  of familiar and unfamiliar baroque works. Sometimes musical (and other) works from the past are lost sight of because their worth is slight.  This seemed to me to be true of the Cervetto piece.  Extraordinary as it is to read of a a composer from 17^th-18^th centuries who lived to be at least 101 (c.1682-1783), his music didn’t live... read more

Though conductor Brent Stewart entertained the audience with his introduction to the unconventional Carol of the Bells, he waited till its end before engaging in his lively promotion of the choir's next year’s programme, using the choir to sing striking excerpts from Mozart’s Requiem and Carmina Burana by Carl Orff. As well, he mentioned three concerts in which the choir will sing with both Orchestra Wellington and the New... read more