Supported by generous help from the Turnovsky Endowment Trust

Gareth Farr’s “Chemin des Dames” Concerto and Elgar’s ‘Cello Concerto together a powerful “concerted” statement on disc

By , 02/12/2020
I tried, I REALLY DID try to NOT look at my previous review for “Middle C” of the concert featuring the Gareth Farr 'Cello concerto played by the same ‘cellist, Sébastien Hurtaud (also with the NZSO, though with a different conductor, Hamish McKeich) before writing this present review of the piece’s CD recording – of course, it was a different performance which needed to be “responded to” on its... read more

Splendiferous sounds captured on CD from Christchurch Town Hall’s rejuvenated Rieger organ courtesy of Martin Setchell

By , 29/11/2020
This recording, “Resounding Aftershocks”  broke an eight-year silence for the Christchurch Town Hall Rieger organ which followed the catastrophic 2011 earthquakes, and, as befitted the occasion, celebrated the instrument’s return to full prowess in heady fashion! Organist Martin Setchell’s long-established brilliance and elan as a performer is here demonstrated to the utmost thanks to the skills and expertise of the disc’s sound engineer Mike Clayton, capturing the occasion most... read more

Cinderella (Rogernella? Gingerfella?) the Pantomime, delightfully mixed-up fun at Circa Theatre

By , 23/11/2020
Two of the show’s actors, Simon Leary (Buttons the Rat) and Gavin Rutherford (Rosie Bubble, the Fairy Godmother) are the authors of this wonderfully irreverent “take” on the classic Cinderella story, complete with up-to-date parochial and international references, foot-tapping music (two songs I actually KNEW, despite my advanced years!) and entertainingly-staged ensemble dancing, some of the best I’ve seen at Circa Pantomimes. In fact I thought Leigh Evans’ actual... read more

NZSO with three widely varied works: two masterpieces and a charming, approachable New Zealand concerto

By , 20/11/2020
The audience at this concert would have been intrigued, as they took their seats, to see some orchestra members finding their way to a row of music stands in the gallery above and behind the orchestra: two players each of first and second violins, violas, cellos and one double bass.  The rest – strings only of course – were in their normal places Vaughan Williams with Tallis The position of players... read more

Unfamiliar music given a chance to shine in characterful performances at St. Andrew’s

By , 18/11/2020
One of the great joys of the lunch time concerts at St. Andrews on the Terrace is that these provide opportunities to hear some of the talented artists living among us, the other is to hear music that otherwise is seldom performed. Rebecca Steel is one of the most experienced flautists around, having played with orchestras both overseas and here in Wellington and Christchurch. Kris Zuelicke moved from Germany... read more

Belated rapture from Orchestra Wellington’s “Rachmaninov 1”, but well worth the wait…..

By , 15/11/2020
Covid-19 has played havoc with many things over 2020, not the least with schedules of music performances, hence the somewhat belated "Rachmaninov 1" title for this concert. Fortunately, the quality of the music and its making seemed unimpaired by any such privations, leaving us grateful all over again for the experience, similar to the feeling engendered by the Orchestra Wellington's previous concert I'd attended - https://middle-c.org/2020/10/riveting-performances-by-the-orpheus-choir-and-orchestra-wellington-of-works-by-faure-and-rachmaninoff/ Here, I found myself... read more

Orpheus Choir’s first ‘on their own’ concert in 2020 a Gloria triumph

By , 14/11/2020
The introduction to the programme by the chairperson of the Choir, Frances Manwaring, remarks that this was the choir’s first ‘self-presented’ concert in 2020 – the only other public appearance was with Orchestra Wellington’s 3 October concert in Rachmaninov’s The Bells and Fauré’s Requiem. And I might as well use her background notes to refer to the task of preparing for the concert under review. “Thanks to the tech-savvyness and... read more

Another entertaining Shed Concert from the NZSO touching the Weimar era

By , 13/11/2020
This was one of the few concerts, including several from the NZSO, which was not cancelled or changed (apart here, from the order of the pieces) by the effect of the Coronavirus. Most concerts have come to be ’named’, in a way intended to reflect the character of the music, and this one was Kabarett, German for the obvious English word: the European cabaret scene of the 1920s and 30s... read more

Warm response for an innovative “Seen-and-Heard” Kristallnacht Concert at Wellington’s Public Trust Hall

By , 09/11/2020
I was surprised to find, upon arriving at the Public Trust Hall a good quarter-of-an-hour before the concert’s scheduled starting time, at least three-quarters of the seats already filled, and the queues still bringing people in – by the time I got my ticket sorted I found myself almost at the back of the hall, and was left wondering how I could possibly get from such a position a... read more

Wellington vocal trio delights its Whanganui audience with a “charmer” of a programme…..

By , 08/11/2020
This delightful concert was the second of three concerts I was scheduled to attend and review over three consecutive days – and now, looking back at the three events while writing the notices for this second one , I’m suddenly reminded of Franz Liszt’s description of the Allegretto movement in the middle of Beethoven’s Piano Sonata Op. 27 No. 2, commonly nicknamed the “Moonlight” Sonata. Liszt called the movement... read more

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