Supported by generous help from the Turnovsky Endowment Trust

Category: Live performance

Large audience for a delightful concert by Camerata chamber orchestra

By , 16/12/2019
Camerata’s vision is to ‘perform high quality joyful chamber music accessible alike to newcomers and classical aficionados’. The small chamber orchestra includes members of Wellington’s professional orchestras as well as students and graduates of the NZ School of Music. It is a very accomplished ensemble. Corelli: Christmas Concerto Anne Loeser and Ursula Evans violins, Robert Ibell, cello This is probably Corelli’s most popular work, often featured in anthologies of Christmas music. It is now... read more

Wellington Chamber Orchestra succeeds with Šinkovec Burstin in Grieg piano concerto, and other Nordic classics

By , 08/12/2019
In my review of Jian Liu’s performance two years ago of Grieg’s Piano Concerto I remarked that I was mystified that it continued to be considered a popular, even hackneyed work when, for many years, it’s been so little performed. That lovely performance with Jian Liu may have prompted the Wellington Chamber Orchestra to take a look at it. If so they served themselves and Edvard Grieg very well Helios  Nielsen’s... read more

Haydn, Brahms and Brigid Bisley in superb recital from Diedre Irons and the Aroha Quartet

By , 01/12/2019
Haydn’s The Bird The last 2019 concert from the Aroha Quartet opened with Haydn’s quartet, The Bird, creating sounds that were quite stunning: not in the normal sense of fortissimo, exciting or cacophonous, but with sounds that were hardly of a string quartet at all. They were of such refinement and purity that they really did evoke the subtlest of bird calls that were pure and secretive, unearthly. The marking... read more

Enthusiastic reception by big audience for Orchestra Wellington’s final 2019 concert of remarkable but unfamiliar music

By , 30/11/2019
This was the last of this year's subscription concerts by Orchestra Wellington. The Michael Fowler Centre was filled almost to capacity, despite the New Zealand Symphony Orchestra playing another concert at the same time in Shed 6. Orchestra Wellington played a difficult programme, made no concession to popular taste, yet it had the largest audience of any orchestra in New Zealand. There is something remarkable about this. I believe... read more

Diverting St Andrew’s lunchtime concert of Baroque wind music

By , 20/11/2019
If your local pub quiz threw a question at you: “Can you name a period when more great composers were born than any other?” The period 1835 – 1845 would be a good guess, or 1855 – 1865. But I’d lay the money on 1678 to 1688. Vivaldi, Rameau, JS Bach, Domenico Scarlatti, Zelenka, Weiss, Telemann, Handel, Porpora, Geminiani, just for starters; and that excludes two of the composers... read more

NZSO and Orchestra Wellington players, with a Slovenian pianist deliver fine performances of Mendelssohn and Mozart

By , 13/11/2019
Listening to a concert of happy, delightful music is a lovely way of whiling away a lunch hour. This week members of the New Zealand Symphony Orchestra and Orchestra Wellington presented a programme of charming music by Mendelssohn and Mozart. Mendelssohn: String Symphony No. 2 The prodigious talent of Mendelssohn is hard to comprehend. He grew up in a home that was a gathering place for writers, musicians and artists. He... read more

Cantoris steps up to two of the great choral masterpieces, successfully in the face of difficulties

By , 09/11/2019
Handel’s Dixit Dominus was written in 1707 for the church of Santa Maria in Montesanto in Rome. He was in Italy between 1706 and 1710 and composed operas for Florence and Venice, but because the Vatican in Rome forbade opera, Handel wrote dramatic works in concert form, the most famous of which is the Dixit Dominus which is drawn from Psalm 110, part of the Catholic Vespers service, and... read more

NZSO: Salonen’s Violin Concerto points in a fruitful, inspiring direction; Schubert’s Greatness persists through 200 years

By , 08/11/2019
Here was another NZSO concert that merited a bigger audience. Again, as at the 24 October concert, the gallery was well inhabited but the stalls rather sparse. A concert that is dominated by a very long work, unless by Mahler or perhaps Bruckner, suffers from a lack of variety and there needs to be a smaller, first-half piece that will overcome it, probably a familiar and well-loved concerto. Finnish conductor... read more

Diverting and varied concert in The Queen’s Closet, devoted to all the pleasures at the Prefab

By , 03/11/2019
The lively atmosphere of the Prefab on Jessie Street provides a happy environment for all kinds of music, not least for classical music of all kinds. It facilitates experimental and early music, instrumental and choral, serious and whatever the opposite might be. The Queen’s Closet consists partly of NZSO and Orchestra Wellington players as well as some whose provenance I don’t know. The English Restoration They devote themselves to the Restoration, the... read more

Exceptional recital from Alexander Gavrylyuk gets tumultuous applause at Waikanae

By , 03/11/2019
Alexander Gavrylyuk, the internationally celebrated Ukranian/Australian pianist, has become a regular visitor to Waikanae. He played there in 2017 and 2016, so I knew that we would be in for an exceptional concert. Peter Mechen, my colleague at Middle C, had written about the pianist's ability to enchant his listeners with every note and in doing so, display a Sviatoslav Richter-like capacity to invest each sound with a kind... read more

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