Although this recital offered a good opportunity to hear two significant cello sonatas, not often played, the audience at St Andrew’s was a lot smaller than it had been for New Zealand School of Music vocal students the day before. Two lunchtime concerts a week might seem excessive; no doubt it’s an effort to meet the expectations of players whose concerts were scheduled in the months of silence: it’s... read more

Every now and then (and without warning) a “Middle C” reviewer will be overcome by a “questing s pirit” which will result in the same reviewer popping up somewhere unexpected and writing about an event whose location, on the face of things, seems somewhat outside the parameters of the usual prescription for “Middle C’”s coverage – vis-à-vis, “concerts in the Greater Wellington region”. In this case mitigating circumstances brought a... read more

“Cello for Africa” was, in the words of co-organisers Heleen du Plessis and Donald Maurice, an event designed “to bring people from different cultures together using music, and specifically, ‘cellos, to help create a platform for cultural interaction and human connection in support of causes in Africa”. The concert’s specific target was to raise funds for a school established in Nairobi five years ago, the Tamariki Education Centre, by... read more

A larger than usual audience came in from the sun to hear these two members of the music faculty of Victoria University (known as the New Zealand School of Music). Boccherini They began with one of Boccherini’s cello sonatas: one on A major. A look at the Boccherini catalogue shows 29 cello ‘sonatas, for cello solo (and basso)’, which is believed to mean probably a second cello; most were written when... read more

I came across an interesting article on the American composer Virgil Thomson when exploring the idea of “Portraits” in music. Inspired by novelist Gertrude Stein in Paris during the mid-1920s, who had made a series of free-association "literary portraits" written in a single sitting, Thomson thought he would try the same technique in music composition – his subject would “sit”, and Thomson would compose, on the spot... read more

It might be unusual to give a common name to a group of three musicians who are clearly going to have only a few weeks together because one of its members lives in another country. The owner of the first three letters of the name ‘Levansa’ is the Russian cellist whose residence looks peripatetic at the present time, though his appointment in 2017 as principal cello of the Zurich... read more

Sadly, it is rare that major soloists with our professional orchestras are taken in hand by enterprising entrepreneurs and offered recitals around the country. Lev Sivkov is clearly in the hands of an enterprising manager in New Zealand who is making excellent use of him. Having heard him last Friday with Orchestra Wellington playing Barber’s cello concerto, I was delighted to be handed a flyer about this recital in St... read more

This was the kind of programme whose content and presentation couldn’t have done a better job of warming the cockles of both audience hearts and sensibilities, having already drawn our attention via the concert’s title to the evening’s delightful and characteristic seasonal ambiences. Choral items naturally enough made up the lion’s share of the presentations, but by way of contrast and variety we heard two songs for baritone with... read more

Long and involved stories or series of tales have always attracted me – I’m a sucker for sagas, an enthusiast for epics, a connoisseur of chronicles. In music there’s nothing I like better to involve myself with than something that covers a wide span of time, incident and characterisation. I’m a completist who’s in seventh heaven when about to embark upon things like Bach’s “forty-eight”, Haydn’s “Salomon Symphonies”, Liszt’s... read more

Duos between the piano and many other instruments are numerous, but between pairs of other instruments, without a keyboard, rare; though string quartets and less often string trios and quintets seem to be popular and work well. This was an opportunity to put it to the test. Halvorsen’s Passacaglia based on a theme from Handel’s harpsichord suite in G minor is not completely obscure. The tune lends itself to variations and... read more