Every now and then (and without warning) a “Middle C” reviewer will be overcome by a “questing s pirit” which will result in the same reviewer popping up somewhere unexpected and writing about an event whose location, on the face of things, seems somewhat outside the parameters of the usual prescription for “Middle C’”s coverage – vis-à-vis, “concerts in the Greater Wellington region”. In this case mitigating circumstances brought a... read more

The first concert in the Waikanae Music Society’s 2020 season welcomed the audience with a ‘Full House’ notice at the door: meaning that around 500 filled the hall. It was a celebration of Michael Houstoun’s long career: his last concert for the society which has hosted him regularly since 1986. He played in the company of Donald Armstrong’s Amici Ensemble which has also been a major and very popular... read more

The third volume of recordings of piano performances by Richard Farrell (1926 – 1958) has appeared, nine years after the first volume. Apart from a couple of small pieces, none have been commercially released though Peter Mechen (who was the assistant producer and undertook research) reminds me that the Tchaikovsky concerto was played by the then Concert Programme in the 1980s and the Liszt recital was broadcast as part... read more

In my review of Jian Liu’s performance two years ago of Grieg’s Piano Concerto I remarked that I was mystified that it continued to be considered a popular, even hackneyed work when, for many years, it’s been so little performed. That lovely performance with Jian Liu may have prompted the Wellington Chamber Orchestra to take a look at it. If so they served themselves and Edvard Grieg very well Helios  Nielsen’s... read more

Haydn’s The Bird The last 2019 concert from the Aroha Quartet opened with Haydn’s quartet, The Bird, creating sounds that were quite stunning: not in the normal sense of fortissimo, exciting or cacophonous, but with sounds that were hardly of a string quartet at all. They were of such refinement and purity that they really did evoke the subtlest of bird calls that were pure and secretive, unearthly. The marking... read more

This was the last of this year's subscription concerts by Orchestra Wellington. The Michael Fowler Centre was filled almost to capacity, despite the New Zealand Symphony Orchestra playing another concert at the same time in Shed 6. Orchestra Wellington played a difficult programme, made no concession to popular taste, yet it had the largest audience of any orchestra in New Zealand. There is something remarkable about this. I believe... read more

Alexander Gavrylyuk, the internationally celebrated Ukranian/Australian pianist, has become a regular visitor to Waikanae. He played there in 2017 and 2016, so I knew that we would be in for an exceptional concert. Peter Mechen, my colleague at Middle C, had written about the pianist's ability to enchant his listeners with every note and in doing so, display a Sviatoslav Richter-like capacity to invest each sound with a kind... read more

The evening was earmarked as a celebration, a culmination of the 40^th year of presenting chamber music in Lower Hutt by the Hutt Valley Chamber Music Society. And the choice of pianist Diedre Irons to give the concert this evening couldn’t have been more appropriate, as back in October 1980 she and the then-concertmaster of the NZSO, Peter Schaeffer performed a recital as one of the Society’s concerts during... read more

Here was a particularly rewarding recital from two of the graduate students of the university school of music’s Jian Liu. Tasman Richards First, the three intermezzi of Brahms’s Op 117. Most of the 20 piano pieces of the four opuses from Brahms last years are intermezzi: all three of Op 117 are. They were described by the famous critic, Eduard Hanslick as ‘monologues’... pieces of a ‘thoroughly personal and subjective character’... read more

Can it really be three years almost to the day that Tony Chen Lin was last playing for us in this same venue? - delighting and enthralling us on that occasion with a programme remarkable as much for its explorations of the music’s connecting threads and echoings as its contrasts and differences? Perhaps it was the unifying factor of having a similarly “only connect” spirit hovering about the music... read more