Te Kōkī New Zealand School of Music Orchestra Reuben Brown (conductor – “Haffner” Symphony) Cantoris Choir Georgia Jamieson Emms, Michaela Cadwgan (sopranos) Jamie Young (tenor), William King (bass) Te Kōkī New Zealand School of Music Orchestra Thomas Nikora (Music Director, Cantoris Choir – “The Great” Mass) St.Peter’s-on-Willis, Wellington

Saturday, 24^th April, 2021

“The devil take organisations that programme concerts for Saturday nights” I muttered repeatedly to myself, driving around Wellington’s busy streets, and looking for a car-park with... read more

Pandemic restrictions having been relaxed of late (though judiciously more “on hold” than entirely done away with), we were allowed more-or-less regularly-spaced seating at St. Andrew’s to hear the most recent of the NZSM Orchestra’s public concerts, one featuring the recent winner of the School’s Concerto Competition, flutist Isabella Gregory (see the review at https://middle-c.org/2020/07/nzsm-concerto-competition-an-evening-of-elegance-frisson-and-feeling/), playing the Reinecke concerto with which she won the prize, though on this... read more

Here was one of the frequent recitals by Victoria University’s school of music’s students – this time voice students: two second years, the rest third years. Rather than plod through the two songs each by the seven singers, it might be interesting to regard it as a concert that drew music of various kinds, chronologically, from 300 years of European music. I’ll start with the earliest: From Bach’s Cantata no 68... read more

This was a promising recital by three young women who have lived around Worser Bay in Wellington: two are sisters, the cellist a long-time friend. Both Tarrant-Matthews are violinists who have played in Orchestra Wellington and the NZSO, but are also proficient pianists; both graduated in music from Victoria University. Claudia who is violinist in the trio, has been studying at the Royal Academy of Music in London while... read more

This year’s final of the NZSM Concerto Competition provided something of a musical feast, even if one of the concertos performed (Saint-Saens’ Second Piano Concerto) was presented with a somewhat truncated finale, for whatever reason. With three promising and extremely accomplished performers playing their respective hearts out (and admirably supported by the efforts of collaborative pianist David Barnard, whose playing of the orchestral part of the Samuel Barber Concerto... read more

From a purely musical point of view, this was an interesting recital, with a very wide range of songs and arias, a lot familiar, some not, but very worth being exposed to. One song I didn’t know at all was Samuel Coleridge-Taylor’s ‘Sons of the Sea’. Once upon a time those three names together (in a different order) would have meant only the great poet linked with Wordsworth. Now... read more

“Cello for Africa” was, in the words of co-organisers Heleen du Plessis and Donald Maurice, an event designed “to bring people from different cultures together using music, and specifically, ‘cellos, to help create a platform for cultural interaction and human connection in support of causes in Africa”. The concert’s specific target was to raise funds for a school established in Nairobi five years ago, the Tamariki Education Centre, by... read more

Orchestra Wellington has earned a special niche for itself amid the welter of artistic activities supported by the capital, one that’s steadily developed over the years of Marc Taddei’s tenure as Music Director, and in recent times enjoyed obvious fruition in terms of its enthusiastic audience following. Its appeal is based on several factors, not the least of which is the unflagging wholeheartedness and enthusiasm of conductor Taddei for... read more

This was a little more than a routine concert by the music school of Victoria University, featuring a couple of its post graduate students: one, composer Luka Venter and the other, violinist Nickolas Majić. At the end  of the concert it emerged, with a large cluster of flowers and speeches, that this was the last concert with the orchestra’s regular conductor, Kenneth Young; it marked his retirement from the position... read more

Here was a particularly rewarding recital from two of the graduate students of the university school of music’s Jian Liu. Tasman Richards First, the three intermezzi of Brahms’s Op 117. Most of the 20 piano pieces of the four opuses from Brahms last years are intermezzi: all three of Op 117 are. They were described by the famous critic, Eduard Hanslick as ‘monologues’... pieces of a ‘thoroughly personal and subjective character’... read more