Martinborough Music Festival – an overview of a delightful feast of chamber music
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Martinborough Music Festival; Saturday evening of songs and Schubert String Quintet
By Charlotte Wilson, 28/09/2019
(This review from Charlotte Wilson arose as a result of my being unable to attend the third and fourth concerts: Festival chairman Ed Allen told me that he’d mentioned the matter to Charlotte; she offered to help and I welcomed her readiness to fill the gap between my review of the Friday concert and Steven Sedley’s covering the two afternoon concerts: Middle C is delighted to publish her sparkling... read more
Korngold: exploration of beguiling Lieder one didn’t know, from Georgia Jamieson Emms
By Lindis Taylor, 04/09/2019
Middle C has been neglecting its responsibilities with respect to the wonderful lunchtime concerts at St Andrew’s on The Terrace. Partly the result of our diminished ‘human resources’ and partly … well, other things.
There are notes for two or three of them that seem to have failed to find a first sentence, but given time, some the right words and thoughts might emerge on the RNZAF woodwind quintet, six... read more
Medlyn and Greager give rewarding and intelligent recital of early 20th century songs, plus four by Vincent O’Sullivan/Ross Harris
By Steven Sedley, 10/07/2019
A song recital by two internationally renowned singers based in Wellington is a significant musical event. The programme was like a snapshot of the music of the first half of the twentieth century across a wide range of countries, Austria, France, Germany, Italy, Russia, with a more recent item from New Zealand.
The concert began with Margaret Medlyn singing Alban Berg's Seven Early Songs (1907). These songs were written under... read more
Wide-ranging and imaginative song recital at Waikanae: Mellaerts and Baillieu
By Lindis Taylor, 14/04/2019
The Waikanae Music society had taken this recital from Chamber Music New Zealand’s associate society series. It was about the last of a ten-concert tour around the country.
It was a courageous step since, for many years – decades? – there has been a belief that audiences avoid song recitals; the same belief has been cultivated about piano recitals. There is not a huge amount of evidence for either display... read more
“Hammers and Horsehair” (joined with birdsong) enchant an Aro St audience in Wellington
By Peter Mechen, 25/10/2018
We sat amid soft lighting on comfortable, homely furniture, talking softly with our fellow audience-members while listening to pianist Douglas Mews “tuning up” his square piano and then “playing us in” with music that I for one didn’t know – it actually sounded, appropriately enough, like a kind of improvisation, perfect for warming up player, instrument and our increasingly attentive ears, until all was ready. ‘Cellist Robert Ibell having... read more
Katherine McIndoe with brilliant performance of Britten’s Les Illuminations at St Andrew’s
By Lindis Taylor, 15/08/2018
Soprano Katherine McIndoe has been at the Guildhall School in London for the past year, though she was last heard, conspicuously, in both the operas staged in the middle of last year by Rhona Fraser’s Days Bay Opera: Tatyana in Eugene Onegin and Guilietta in I Capuleti e i Montecchi. In Britain she sang at the Aldeburgh Festival last year as a Britten-Piers Young Artist, and was the Governess... read more
Polished recital of Lieder by Clara Schumann and Brahms, and Robert’s Scenes of Childhood
By Lindis Taylor, 11/07/2018
I didn’t hear the recital in March 2017 by this couple from Dunedin, though my colleague Rosemary Collier reviewed it. It seems many years since I have heard them. They form an attractive duet and the music they choose is the kind that is not much performed these days: the song recital is a bit out of fashion and there is a deep-seated belief among the classical music impresarios:... read more
Demanding song recital reflects more ambition than accomplishment
By Rosemary Collier, 27/06/2018
It is not often that I attend a lunchtime concert at St. Andrew’s and come away disappointed, but that was the case this time. I am fond of Fauré’s songs and deeply devoted to Schumann’s Dichterliebe. But this time I could not say I was enchanted by what I heard.
The first song went well. The second, like a number later on, was perhaps a little low for William McElwee’s voice... read more
Polish and Shakespearean themes lead fine St Andrew’s lunchtime recital
By Rosemary Collier, 04/04/2018
Shakespeare ‘book-ended’ the programme, with two sets of songs, separated by Chopin. It made an interesting programme, featuring mainly the piano, but with pleasing songs to begin and end.
The pianist and composer André Tchaikowsky was not, we were told in the pianist’s introductory remarks, related to the great composer of the same name. I remember him visiting New Zealand to play with the New Zealand Symphony Orchestra, a long... read more
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