While the series of concerts from students that occupies St Andrew’s lunchtime series regularly around this time of the year, are always a delight and sometimes expose unusual and interesting music, it’s nice to get back to the mainstream, with truly accomplished professional musicians. The concert’s pun-prone title (Steel and Iron{s}} did announce a couple of New Zealand’s finest artists in their fields. Though I tend to be wary of arrangements-of-convenience... read more

It is interesting to hear music students at different levels of their courses, and of ability and achievement.  All these students, though, performed well and provided engaging music.  In most cases they were accompanied on the piano, although two students played unaccompanied pieces.  It was pleasing to see a number of school students in the audience; perhaps they are studying wind instruments. Simon Brew, acting head of winds at... read more

Te reo Maori for the numeral 3 is toru; thus ‘Toru Trio’ is a redundancy. This instrumental trio comprises harp, viola and flute, modelled on Debussy's war-time piece; all are players in Orchestra Wellington. All the pieces were composed in the last 100 years (though the Debussy himself was a couple of years outside that frame). Their arrival on stage made a striking impression: Karen Batten in a dramatic gold... read more

A fortnight ago at St Andrew’s we heard Rebecca Steel as a member of a quintet of flutes from the RNZAF Band in a splendidly diverting programme of music (mostly) arranged for five flutes. So I had hesitated about coming to hear more flute music in a particularly busy week for me. But squeezing it in proved an excellent decision. Rebecca was back this time with her piano partner, Fiona... read more

Here were two names that were slightly familiar to me but which I couldn’t really offer biographical information about. Both studied in Wellington: Nick at the Conservatorium of Music at Massey University, Christy at Victoria University. Palmerston North has featured in the lives of both, but the birth-place of neither was disclosed. They are married and have quite a range of performance history both together and separately. It was a... read more

A large audience greeted a wonderfully varied line-up of professional musicians – and of music.  The opening work immediately grabbed one’s attention; Ginastera’s work was delightful and full of subtle animation.  Especially notable was the floating, uprising flute part.  The programme note describing its ‘gentle, romantic, quasi-impressionist harmonies’ was apt indeed.  Which leads me to comment how excellent was the acknowledgement at the end of the printed programme of... read more