One of the great joys of the lunch time concerts at St. Andrews on the Terrace is that these provide opportunities to hear some of the talented artists living among us, the other is to hear music that otherwise is seldom performed. Rebecca Steel is one of the most experienced flautists around, having played with orchestras both overseas and here in Wellington and Christchurch. Kris Zuelicke moved from Germany...
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Pandemic restrictions having been relaxed of late (though judiciously more “on hold” than entirely done away with), we were allowed more-or-less regularly-spaced seating at St. Andrew’s to hear the most recent of the NZSM Orchestra’s public concerts, one featuring the recent winner of the School’s Concerto Competition, flutist Isabella Gregory (see the review at
https://middle-c.org/2020/07/nzsm-concerto-competition-an-evening-of-elegance-frisson-and-feeling/), playing the Reinecke concerto with which she won the prize, though on this...
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This year’s final of the NZSM Concerto Competition provided something of a musical feast, even if one of the concertos performed (Saint-Saens’ Second Piano Concerto) was presented with a somewhat truncated finale, for whatever reason. With three promising and extremely accomplished performers playing their respective hearts out (and admirably supported by the efforts of collaborative pianist David Barnard, whose playing of the orchestral part of the Samuel Barber Concerto...
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Every now and then (and without warning) a “Middle C” reviewer will be overcome by a “questing s
pirit” which will result in the same reviewer popping up somewhere unexpected and writing about an event whose location, on the face of things, seems somewhat outside the parameters of the usual prescription for “Middle C’”s coverage –
vis-à-vis, “concerts in the Greater Wellington region”. In this case mitigating circumstances brought a...
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The Donizetti Trio is a fairly rare beast; it rather looks as if three musician friends had the idea of playing as an ensemble, but were faced with the problem that hardly any music existed for their combination, and so they set about forcing other material to fit their needs.
That can work well, and to a degree, it did.
To start with, Vivaldi looks a good idea as he wrote...
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To my great relief the NZSO abandoned the idea of presenting this, the second concert of their Baroque Series, in Wellington Cathedral, the first concert there having been a mixed blessing of an affair, with the building’s cavernous acoustic the main impediment to enjoyment of the music. The strictures of the Capital’s current “earthquake-risk” regulations regarding many of its buildings has made finding a venue for concerts involving either...
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This third concert in the 2019 series, Karori Classics was a benefit concert for Cystic Fibrosis New Zealand, for it’s a wretched condition that afflicts the child of two of the players, Emma Brewerton and Lyndsay Mountfort.
We were sorry to have missed the earlier two concerts; the first, on 1 March, by duet pianists Beth Chen and Nicole Chao, known as Duo Enharmonics; and the second on 22 March...
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We have owed a great deal to this splendid, many-facetted ensemble over the years, held together by NZSO Associate Concertmaster Donald Armstrong. Most ‘chamber music’ groups are either trios or quartets, and occasionally a quintet by adding a piano, a cello, a clarinet... Here we had enough variety to give us Mozart’s clarinet quintet, and also Ravel’s septet that is disguised as
Introduction and Allegro for string quartet, flute... read more
While the series of concerts from students that occupies St Andrew’s lunchtime series regularly around this time of the year, are always a delight and sometimes expose unusual and interesting music, it’s nice to get back to the mainstream, with truly accomplished professional musicians.
The concert’s pun-prone title (Steel and Iron{s}} did announce a couple of New Zealand’s finest artists in their fields.
Though I tend to be wary of arrangements-of-convenience...
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It is interesting to hear music students at different levels of their courses, and of ability and achievement. All these students, though, performed well and provided engaging music. In most cases they were accompanied on the piano, although two students played unaccompanied pieces. It was pleasing to see a number of school students in the audience; perhaps they are studying wind instruments. Simon Brew, acting head of winds at...
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