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Posts tagged: baroque music

The NZSO “reclaims the night” for Baroque composers at St.Andrew’s on-The-Terrace, Wellington

By , 08/06/2019
To my great relief the NZSO abandoned the idea of presenting this, the second concert of their Baroque Series, in Wellington Cathedral, the first concert there having been a mixed blessing of an affair, with the building’s cavernous acoustic the main impediment to enjoyment of the music. The strictures of the Capital’s current “earthquake-risk” regulations regarding many of its buildings has made finding a venue for concerts involving either... read more

“Under every grief & pine/runs a joy with silken twine” – Martin Riesley plays unaccompanied Bach at St.Andrew’s, Wellington

By , 24/05/2019
This was a benefit concert to help raise funds for refurbishing the Church’s pipe organ. Bach himself wasn’t known as a violinist to the same extent as he was a keyboard player, yet according to his son, Carl Philippe Emanuel, “he played the violin cleanly and powerfully”, and his familiarity with the instrument is evident in the way he wrote his six Violin Sonatas and Partitas (BWV 1001-1006), so they... read more

A dramatic and sharply-focused St.John Passion from Nota Bene and the Chiesa Ensemble at St Mary of the Angels

By , 14/04/2019

Of four Scriptural “Passion” settings associated in some way or another with Johann Sebastian Bach, two have been fully “authenticated”, the larger St.Matthew Passion, and the smaller, more intense and visceral St.John Passion – while two others, settings of the other evangelists’ accounts of Jesus’ death, are either spurious or recyclings of lost material. Bach undertook the St.John Passion during his first year as director of church... read more

From The Night Watch – “Love Me Tender” – a Baroque-style celebration of love’s intangibility

This is a new ensemble in town, 'The Night Watch' (after the Rembrandt painting, though both the Martinborough and Wellington concerts were held in daylight hours).  This group is a combo of New Zealand singers and instrumentalists with several Australian baroque instrumentalists from Sydney. Despite the geography, there was no time separation here; the playing was magnificently co-ordinated and presented, under the direction of Catherine Mackintosh, a veteran of English ensembles The Orchestra of the... read more

NZSO’s Telemann/Handel presentation at Wellington Cathedral – spectacle before music?

By , 01/02/2019
This was one of those concerts better described by the word “occasion” – yes, there was music, yes there were musicians, and yes, the music was played; but at every step of the way the emphasis of the event’s publicity, presentation and performance seemed to be more on the “occasional” nature of the pieces and their sounds rather than their actual substance. Historically, this wasn’t at all inappropriate considering the... read more

Bach Choir celebrates Saint Cecilia, exploring interesting and important music with flair and taste

By , 16/12/2018
This was a famous concert: not many musical organisations survive for fifty years. In Wellington, only the NZSO and the Orpheus Choir can claim that (and I await outraged contradictions); though it might be possible to add Chamber Music New Zealand, a very important music promoter, which began as a Wellington society in 1945 and spread its reach nationally within a few years. The Bach Choir has had a distinguished... read more

A finely-wrought, light-on-its-feet “Messiah” from Nicholas McGegan with The Tudor Consort and the NZSO

By , 08/12/2018
Just for interest’s sakes I hearkened back to my “Middle C” review of an earlier Messiah here in Wellington conducted by Nicholas McGegan with the NZSO three years previously, one which I hailed as a focused and characterful performance throughout. There was plenty to wax enthusiastic about on that occasion – McGegan’s very “visceral “ way with some of the music’s more pictorial evocations, such as the frisson of excitement he... read more

A triumphant culmination of Pinchgut Opera’s work in Sydney: Hasse’s Artaserse

By , 05/12/2018
Though exposure to pre-Mozart opera, even of Gluck, has been infrequent in New Zealand, a great deal of 17th and 18th century opera has become main-stream in the Northern Hemisphere. There is hardly a composer of that period, acclaimed in his (or her) lifetime and then forgotten for 200 years, whose music has not been brushed off in recent years and played in a way that echoes the way... read more

Baroque music, rare and familiar, in a happy St Andrew’s concert

A larger-than-average audience came to hear this programme of a mixture  of familiar and unfamiliar baroque works. Sometimes musical (and other) works from the past are lost sight of because their worth is slight.  This seemed to me to be true of the Cervetto piece.  Extraordinary as it is to read of a a composer from 17th-18th centuries who lived to be at least 101 (c.1682-1783), his music didn’t live... read more

Baching at the Moon – ‘Cellist Raeul Pierard at St.Peter’s on-Willis, Wellington

By , 23/11/2018
Long and involved stories or series of tales have always attracted me – I’m a sucker for sagas, an enthusiast for epics, a connoisseur of chronicles. In music there’s nothing I like better to involve myself with than something that covers a wide span of time, incident and characterisation. I’m a completist who’s in seventh heaven when about to embark upon things like Bach’s “forty-eight”, Haydn’s “Salomon Symphonies”, Liszt’s... read more

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