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Posts tagged: baroque music

From The Night Watch – “Love Me Tender” – a Baroque-style celebration of love’s intangibility

This is a new ensemble in town, 'The Night Watch' (after the Rembrandt painting, though both the Martinborough and Wellington concerts were held in daylight hours).  This group is a combo of New Zealand singers and instrumentalists with several Australian baroque instrumentalists from Sydney. Despite the geography, there was no time separation here; the playing was magnificently co-ordinated and presented, under the direction of Catherine Mackintosh, a veteran of English ensembles The Orchestra of the... read more

NZSO’s Telemann/Handel presentation at Wellington Cathedral – spectacle before music?

By , 01/02/2019
This was one of those concerts better described by the word “occasion” – yes, there was music, yes there were musicians, and yes, the music was played; but at every step of the way the emphasis of the event’s publicity, presentation and performance seemed to be more on the “occasional” nature of the pieces and their sounds rather than their actual substance. Historically, this wasn’t at all inappropriate considering the... read more

Bach Choir celebrates Saint Cecilia, exploring interesting and important music with flair and taste

By , 16/12/2018
This was a famous concert: not many musical organisations survive for fifty years. In Wellington, only the NZSO and the Orpheus Choir can claim that (and I await outraged contradictions); though it might be possible to add Chamber Music New Zealand, a very important music promoter, which began as a Wellington society in 1945 and spread its reach nationally within a few years. The Bach Choir has had a distinguished... read more

A finely-wrought, light-on-its-feet “Messiah” from Nicholas McGegan with The Tudor Consort and the NZSO

By , 08/12/2018
Just for interest’s sakes I hearkened back to my “Middle C” review of an earlier Messiah here in Wellington conducted by Nicholas McGegan with the NZSO three years previously, one which I hailed as a focused and characterful performance throughout. There was plenty to wax enthusiastic about on that occasion – McGegan’s very “visceral “ way with some of the music’s more pictorial evocations, such as the frisson of excitement he... read more

A triumphant culmination of Pinchgut Opera’s work in Sydney: Hasse’s Artaserse

By , 05/12/2018
Though exposure to pre-Mozart opera, even of Gluck, has been infrequent in New Zealand, a great deal of 17th and 18th century opera has become main-stream in the Northern Hemisphere. There is hardly a composer of that period, acclaimed in his (or her) lifetime and then forgotten for 200 years, whose music has not been brushed off in recent years and played in a way that echoes the way... read more

Baroque music, rare and familiar, in a happy St Andrew’s concert

A larger-than-average audience came to hear this programme of a mixture  of familiar and unfamiliar baroque works. Sometimes musical (and other) works from the past are lost sight of because their worth is slight.  This seemed to me to be true of the Cervetto piece.  Extraordinary as it is to read of a a composer from 17th-18th centuries who lived to be at least 101 (c.1682-1783), his music didn’t live... read more

Baching at the Moon – ‘Cellist Raeul Pierard at St.Peter’s on-Willis, Wellington

By , 23/11/2018
Long and involved stories or series of tales have always attracted me – I’m a sucker for sagas, an enthusiast for epics, a connoisseur of chronicles. In music there’s nothing I like better to involve myself with than something that covers a wide span of time, incident and characterisation. I’m a completist who’s in seventh heaven when about to embark upon things like Bach’s “forty-eight”, Haydn’s “Salomon Symphonies”, Liszt’s... read more

Eighteenth Century German music from two accomplished Wellington early music specialists

By , 07/11/2018
The musicians had asked that this recital be not reviewed. We are happy to comply with this request but because Middle C sees itself as both a vehicle for reviewing music, and an archival record of public classical music performance in Greater Wellington, this is simply an opportunity to record what was played. As well as to comment on the good sized audience and the great pleasure this particular audience... read more

Triumphant performances of choral masterpieces of Vivaldi and Handel

By , 01/09/2018
Gloria Vivaldi is believed to have composed three settings of the Gloria; one of them is lost, but the other, RV 588, is extant and sometimes performed. I think both are in the key of D. I can recall hearing it sung in Wellington, 15, 20 years ago. But I don’t have clear memory of it. I suspect it was at St John’s church on Willis Street. If anyone can... read more

Ensemble Zefiro a breath of fresh, tangy air in Wellington

By , 10/08/2018
I’ve copied out the titles of the pieces as per programme, which accounts for the unusual names for aria (arie), overture (ouverture) and partita (Parthia), the last of which I thought at first was some kind of misprint. But no – there it was - Parthia, an alternative form of “partita”. So as it was something I didn’t know before I thought it was worth committing to review! However... read more

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