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Posts tagged: vocal

From The Night Watch – “Love Me Tender” – a Baroque-style celebration of love’s intangibility

This is a new ensemble in town, 'The Night Watch' (after the Rembrandt painting, though both the Martinborough and Wellington concerts were held in daylight hours).  This group is a combo of New Zealand singers and instrumentalists with several Australian baroque instrumentalists from Sydney. Despite the geography, there was no time separation here; the playing was magnificently co-ordinated and presented, under the direction of Catherine Mackintosh, a veteran of English ensembles The Orchestra of the... read more

Adam Chamber Music Festival in Nelson; the second installment, of Monday and Tuesday reviews

By , 05/02/2019
Perhaps the decision to celebrate the restoration of the organ in the Nelson School of Music took a slightly eccentric course, by programming some pieces by Mozart. For while Mozart is known to have enjoyed playing, especially improvising on, organs wherever he encountered them, he wrote scarcely anything specifically for the organ. The Andante in F, K 616, written a short time before he died, is the only music that... read more

A finely-wrought, light-on-its-feet “Messiah” from Nicholas McGegan with The Tudor Consort and the NZSO

By , 08/12/2018
Just for interest’s sakes I hearkened back to my “Middle C” review of an earlier Messiah here in Wellington conducted by Nicholas McGegan with the NZSO three years previously, one which I hailed as a focused and characterful performance throughout. There was plenty to wax enthusiastic about on that occasion – McGegan’s very “visceral “ way with some of the music’s more pictorial evocations, such as the frisson of excitement he... read more

An “Enchanted Evening” from The Virtuoso Strings with Jonathan Lemalu

By , 03/12/2018
It had all the makings of a large and vital extended-family affair, with the usual concert rituals and parameters given a relaxed and informal spontaneity that readily brought musicians and audience together. I liked the buzz of excitement in both the foyer and the auditorium, one growing out of a sense of being in a friendly crowd and anticipating the delights to come! This was “Some Enchanted Evening”, a presentation... read more

Beautiful, visceral, hypnotic, disconcerting – Stroma’s “essential experimental” at Wellington’s Pyramid Club

By , 29/11/2018
The venue really brought it all alive, in a way that I thought a more conventional concert-chamber-like place wouldn’t have done. In the most positive way we in the audience seemed to be “put at ease” by the “late-night club” surroundings at Taranaki Street’s Pyramid Club, and, rather than attending a concert, were instead made to feel we were “eavesdropping” on the ongoing creative processes constituting and shaping each... read more

Admirable performances in Wellington Regional Aria Contest

By , 26/08/2018
Once upon a time, aria contests, as a part of a pattern of performing arts competitions, flourished in every city and many smaller towns throughout New Zealand.  There were aria competitions in both Wellington and the Hutt Valley, part of the pattern of competitions that also included instrumental music as well as dance and drama. My first ‘professional’ contact with music was in my Upper Sixth year at Wellington College... read more

East and West mingle at Wellington Youth Orchestra Concert

By , 19/08/2018
A most striking frontispiece on the programme cover (uncredited) for this enterprising concert seemed to alert us to the presence of something out-of-the-ordinary - an illustration something along the lines of those disconcerting front-and-profile images of one and the same person. It wasn’t exactly that, in this case, but the effect certainly caused a double-take on my part, which I presume was the idea! – here, a youthful portrait... read more

Katherine McIndoe with brilliant performance of Britten’s Les Illuminations at St Andrew’s

By , 15/08/2018
Soprano Katherine McIndoe has been at the Guildhall School in London for the past year, though she was last heard, conspicuously, in both the operas staged in the middle of last year by Rhona Fraser’s Days Bay Opera: Tatyana in Eugene Onegin and Guilietta in I Capuleti e i Montecchi.  In Britain she sang at the Aldeburgh Festival last year as a Britten-Piers Young Artist, and was the Governess... read more

NZSM classical voice students show their talents at St Andrew’s

A Thursday lunchtime concert apparently does not have the appeal of the regular Wednesday one; the audience was quite small.  However, it was an opportunity to hear some promising young singers, and a first-class accompanist. The singers were all sopranos, and a mixture of first, second and third year students, the majority being second years. First up was Olivia Stewart.  She sang two items in English: ‘Angels ever bright and fair’... read more

Polished recital of Lieder by Clara Schumann and Brahms, and Robert’s Scenes of Childhood

By , 11/07/2018
I didn’t hear the recital in March 2017 by this couple from Dunedin, though my colleague Rosemary Collier reviewed it. It seems many years since I have heard them. They form an attractive duet and the music they choose is the kind that is not much performed these days: the song recital is a bit out of fashion and there is a deep-seated belief among the classical music impresarios:... read more

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