Guitarists Jane Curry and Owen Moriarty are familiar figures at the St Andrew’s lunchtime concerts, and the sounds they make are particularly suited to the church’s acoustic. Furthermore, for anyone open to discoveries, more of the guitar repertoire than that of almost any other well-known instrument is unfamiliar. It’s not that only in recent years has it become a popular instrument in the classical music world; in fact, it... read more

It was not easy to understand what were the alterations to this concert’s programme, caused in part by illness; the microphone not working (as indeed it did not the previous week) didn’t help matters. First up in this varied programme were Rameka Tamaki and Oliver Featherston.  They played as a guitar duo Theme & Variations from Sextet Opus 18 (second movement) by Johannes Brahms (1833 - 1897), arranged by the... read more

I heard these two musicians last year, and once again I can only say that their playing is highly skilled and utterly delightful, and the repertoire charming. A sizeable audience, including numbers of young people, heard them play a diverse range of music, not all of it composed for precisely this instrumentation, but all of it well worth hearing and apt for the combination. The Locatelli Sonata Op.2, no.4 was enchanting ... read more

This is a belated, 'sort-of' review of the St Andrew’s concert on Wednesday 21 March. So I have filed it out of date order for a few days so that it will be noticed. I didn’t arrive at the concert till after 12.30; the first few minutes were spent tuning my head to the sounds and to the character of the playing, and trying to sense the players’ personalities and that of... read more

Taking the contents of both CDs listed above, one might argue that there are two "classic" compositions to be found among these works, one recognised internationally and the other locally, each defined as such by its popularity and general recognition as a notable piece of work. If this suggests a kind of facile populist judgement, one might reflect that posterity does eventually take over, either continuing to further enhance... read more

The programme for the concert obviously did not appeal to everyone; there were a lot of empty seats, and even more after the interval when it became obvious that many devotees of the guitar, and of the Rodrigo work, did not wish to encounter Bartók, which was a great shame.  Not so tonight’s soloist, who joined the audience after the interval of this, the final concert of his tour ... read more

The ensemble brought a thoroughly delightful programme to an appreciative audience.  What was unusual was that apart from the solo Bach work, the music played was contemporary, whereas one would expect that the viola d’amore would be playing music from a much earlier times.  The programme notes included this comment ‘...the instrument has been enjoying a renaissance since the mid-twentieth century, with new works being composed and old works... read more

This student recital was a showcase for an honours student (Solomon) set beside four first and second year students. The test for the audience might have been to have asked them to identify the levels of accomplishment of each, without knowing their place in the academic hierarchy. Without denigrating the splendid playing of Solomon, I was often surprised at both the skill and the interpretive insights displayed by the... read more

Jane Curry introduced this recital by making generous remarks about the dedication and hard work by the year-round organisers of these important lunchtime concerts, Marjan van Waardenberg and the church’s administrator, David Medland. Having a couple of highly competent guitarists performing means relaxing, knowing that even complex music will be reproduced faithfully, sensitively and accurately.  In this case, the programme consisted of innovative, recent compositions. The first, Sakura No Hana Variations... read more

This lunchtime concert combined two young chamber groups in music that touched on tragic themes and conditions of the heart, physical and emotional. Perhaps they were to be seen as metaphysically linked. We have heard several performances by Donald Maurice’s Archi d’amore Zelanda; the last let us hear both the viola d’amore and the modern viola; in fact the last outing was just a fortnight ago, as part of an... read more