Perhaps because of Auckland’s continued restrictions, and limits on audience size, Wellington, and no doubt other cities, seem to benefit from more concerts. This was the first of three concerts by the NZ Trio, the others at Lower Hutt and Waikanae, with the same programme. Beethoven  It began with Beethoven’s third piano trio in C minor: sombre, restrained with the violin sounding cautious, but a crescendo slowly prevailed, subtly enough: the... read more

This was a promising recital by three young women who have lived around Worser Bay in Wellington: two are sisters, the cellist a long-time friend. Both Tarrant-Matthews are violinists who have played in Orchestra Wellington and the NZSO, but are also proficient pianists; both graduated in music from Victoria University. Claudia who is violinist in the trio, has been studying at the Royal Academy of Music in London while... read more

It’s a bit of a truism to say that Beethoven and his music represent a kind of apex of enduring creative expression for modern-day humankind; and while such pronouncements can be literally questioned in terms of world-wide demographics and cultural bias, they still carry weight in a kind of “perceived-by-many” fashion – it would be difficult to think of another composer whose music has penetrated such widespread spheres of... read more

Musicians of the stature of Viktoria Mullova are much rarer visitors to New Zealand now than they were 30, 50 years ago. Then the entire season of chamber music concerts arranged by the then Federation of Chamber Music Societies consisted of pretty distinguished international players. Something of a commentary on the relative decline of New Zealand’s economic standing, as well, I suspect, as a trend away from classical music... read more

It might be unusual to give a common name to a group of three musicians who are clearly going to have only a few weeks together because one of its members lives in another country. The owner of the first three letters of the name ‘Levansa’ is the Russian cellist whose residence looks peripatetic at the present time, though his appointment in 2017 as principal cello of the Zurich... read more

On paper, a programme for the prospective listener to savour – and this was an expectation I would guess was largely fulfilled, judging from the reception accorded the musicians’ efforts by the audience, and the feelings of satisfaction gleaned from the performers’ general aspect at the end! There was certainly a variety of colour, texture, mood and emotion to be had, with the pieces offering sufficient challenges to ensure... read more

The Donizetti Trio is a fairly rare beast; it rather looks as if three musician friends had the idea of playing as an ensemble, but were faced with the problem that hardly any music existed for their combination, and so they set about forcing other material to fit their needs. That can work well, and to a degree, it did. To start with, Vivaldi looks a good idea as he wrote... read more

An ambitious chamber music programme by an enterprising and highly skilled trio was attended by a larger-than-usual audience, confounding the fears of organiser Marjan van Waardenberg, who thought the weather would put people off.  But no; by 12.15 it was just a normal Wellington windy day, with sunshine. There were no programme notes, but two members of the trio briefly introduced the items, in turn.  However, it would have been... read more

In addition to the advertised Requiem by Cherubini, the programme was fleshed out with the most popular movement from Rachmaninov’s Vespers (‘All Night Vigil’), Op 37, and Arensky’s first piano trio. The Rachmaninov piece is the sixth movement in the 15-movement, hour-long Vespers setting, rather inaccurately called the ‘All-night Vigil’. Bogorovitse Devo (pronounced 'djevo') means ‘Rejoice, O Virgin’. It’s a short, gentle piece that introduced the choir in a beautifully quiet... read more

A programme of what, twenty years ago, might have been seen as a bit forbidding, drew a very good house at this concert, and at the end they responded very enthusiastically. It may have been partly the fact that here was a conventional chamber group with the added interest of an extra player. It might also have been because audiences have come to accept that there is nothing to fear... read more