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Posts tagged: historically informed

The Queen’s Closet at St.Andrew’s – a window into a seventeenth-century world of music

By , 11/08/2021
The Queen's Closet is a baroque orchestra that uses historically inspired performance practice, on period instruments at baroque pitch. Their concerts at various venues have been reviewed on Middle C, but this is the first time that I had heard them play as part of the regular Wednesday Lunch Time Concert series at St Andrews. The music in this programme was pleasant occasional music, but it also represented the musical... read more

Octogenarians make a splendid 17th-century pair

By , 20/06/2021
This concert gave cause for joy on a number of counts, not the least in providing a dry and relatively comfortable place in which to spend a couple of hours on a more-than-usually inclement Sunday evening – though not particularly warm temperature-wise, the interior of St.Mary’s Church worked its usual visual and atmospheric magic over the duration, adding to the beauty and variety of the sounds recreated for our... read more

Camerata at St.Peter’s-on-Willis does Haydn (and others) proud…..

By , 01/05/2021
Camerata’s leader, Anne Loeser was kind enough to alert us to two musical anniversaries on this particular day, opening the concert at St.Peter’s-on-Willis with one, and concluding the evening’s music with another as a delightful “encore surprise”, more of the latter in a moment.  It was in fact the 300th anniversary of the presentation by JS Bach of his six Brandenburg Concertos to Christian Ludwig, the Margrave of Brandenburg... read more

“Gloria” from Nota Bene and The Queen’s Closet gladdens hearts and minds at St Mary of the Angels

By , 28/03/2021
As it has happened the three concerts I have reviewed so far this year have taken place in various splendid Wellington churches, each contributing to the atmosphere, ambience and impact of the music and its making, spectacularly so in the case of the third occasion at St Mary of the Angels Church in Boulcott St., where a programme entitled “Gloria” was given by the Nota Bene Choir with the... read more

Camerata – continuing the joy of new discovery with Haydn at St.Peter’s-on-Willis.St Church

By , 20/02/2021
I do have recordings of Haydn’s early symphonies (part of the first-ever “complete” recorded cycle of the works made back, it now seems, when Adam was a boy, by Antal Dorati and the Philharmonia Hungarica), but prior to attending each of Camerata’s concerts featuring these works I didn’t make a point of listening to them. This was because I wanted to experience as far as possible that “thrill of... read more

Acclaim at Wellington’s MFC for Handel, the “Messiah”, the NZSO, the Tudor Consort, the soloists, and conductor extraordinaire, Gemma New

By , 12/12/2020
I can’t remember a Wellington audience leaping to its collective feet at the conclusion of a recent “Messiah” with quite such unbridled enthusiasm as we all found ourselves doing this evening, caught up in what suddenly felt like, from where I had been sitting, a near-tsunami of acclamation for the musicians and the music at the end of the performance’s final “Amen” chorus.  Certainly, our sensibilities had been “stoked”... read more

At last! Chamber Music Hutt Valley’s 2020 Season!

By , 28/08/2020
If ever an organisation merited a special award for stickability in the face of troubles, it would, in my book, be Chamber Music Hutt Valley - after facing dissolution at the end of 2019 through difficulties in finding enough people “on the ground” to assist with running the concerts the Society overcame that problem only to find its well-crafted 2020 programme severely disrupted by Covid-19! The response was a... read more

Camerata’s latest Haydn in the Church concert elegantly “framed” by youthful endeavours

By , 20/08/2020
With a single downbeat at the beginning of this concert from Camerata we were taken, it seemed to me, into a kind of youthful magicland of creative wonderment, via the eleven year-old Mozart’s Sinfonia from a sacred Singspiel Die Schuldigkeit des ersten Gebotes  (translated as “The Obligation of the First and Foremost Commandment”), a kind of allegorical depiction of the trials of a Christian soul. This was Mozart’s first... read more

Baroque Voices’ “Bingen to Becker” a harmonious celebration

By , 16/08/2020
Thanks to a newly-emerged Covid-19 chapter in Auckland we were a precautionary “restricted” audience for this concert, but of good cheer, nevertheless, with convivial company and food and drink available at the venue, the evocatively-named “The Third Eye - Tuatara’s Temple of Taste", from out of which scenario “emerged” the musicians, informally dressed and congregating at the platform end of the listening-space, six singers and a bass violist, all... read more

Lightning, thunder and Orpheus Choir’s and the NZSO’s “Messiah” – never a dull moment!

By , 07/12/2019
There would probably have been a number of people at this “Messiah” performance, both performers and audience members, who had shared something of my own experience a couple of hours before the concert’s starting-time, of the onslaught of an unexpectedly vicious single lightning strike during a storm over the Mt.Victoria area of the city, one whose particular impact on the house I was inside could have been likened to... read more

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