The audience at Orchestra Wellington’s Saturday concert in which Christopher Park played Bartok’s piano concerto No 1 was invited to this lunchtime concert, and came along in good numbers (though fewer than for Johannes Moser after the NZSO concert where he’d played Shostakovich’s First Cello Concerto); he was joined by the orchestra’s concert master Amalia Hall, a friend, who was apparently instrumental in getting him to New Zealand to... read more

Each year, one of Orchestra Wellington’s concerts is embellished by a contribution from Arohnui Strings, the Sistema-inspired children’s orchestra based in the Hutt Valley. They took their places at the beginning of the concert in the place of most of the regular strings of Orchestra Wellington, interspersed by a few of the professionals to lend some body to the sound. The nerves and excitement of the young players infected... read more

We sat amid soft lighting on comfortable, homely furniture, talking softly with our fellow audience-members while listening to pianist Douglas Mews “tuning up” his square piano and then “playing us in” with music that I for one didn’t know – it actually sounded, appropriately enough, like a kind of improvisation, perfect for warming up player, instrument and our increasingly attentive ears, until all was ready. ‘Cellist Robert Ibell having... read more

Duos between the piano and many other instruments are numerous, but between pairs of other instruments, without a keyboard, rare; though string quartets and less often string trios and quintets seem to be popular and work well. This was an opportunity to put it to the test. Halvorsen’s Passacaglia based on a theme from Handel’s harpsichord suite in G minor is not completely obscure. The tune lends itself to variations and... read more

One rarely goes to a recital by students from Victoria University’s school of music (also known as the New Zealand School of Music and Te Koki), without being surprised to be exposed to interesting, often unfamiliar music played admirably by gifted players. Zephyr Wills began with the first two movements of Schubert’s sonata for Arpeggione, the odd and short-lived hybrid guitar-cello (D 821). No one today plays the weird instrument... read more

The last musical occasion I was in the Riley Centre (alias, the school hall) at Wellington High School was, I think, for the splendid International Viola Congress in 2001, led by the indomitable Professor Donald Maurice (as was the most recent one in Wellington in 2016). My recollection of the acoustic then was confirmed on Sunday. The orchestra has tended to confine itself in recent, post-Town Hall years, to... read more

This Russian programme might have been expected to be a winner, but it wasn’t, in terms of audience size. However, in terms of musical quality and sheer excitement, it was a tremendous success. It’s a surprise to me that Shostakovich’s 1st cello concerto didn’t fill every seat; does that suggest that our musical horizons are getting narrower every year? For it’s a truly stupendous work, and we heard one of... read more

With the organ moved to the side, the rather small audience had full view of the choirs in their red cassocks.  In his introduction, Michael Stewart referred to ‘choral blockbusters’; we had a few of them!  First was Handel’s famous coronation anthem ‘Zadok the Priest’.  It was sung with the usual robust cheerfulness, as was the next anthem, Parry’s ‘I was glad’.  Richard Apperley accompanied this in fine style... read more

To celebrate the inauguration of its new Viscount Regent Classic digital organ, the Wellington Cathedral of St. Paul has put on an Organ Festival.  The guest organist, Dr Joseph Nolan, is a British organist, formerly organist at the Chapels Royal in London (involving numbers of different organs, including one at Buckingham Palace), but since 2008, Organist and Master of Music at St. George’s Cathedral in Perth, Western Australia. Probably due... read more

This concert in Chamber Music New Zealand’s subscription series had an unusual character. It featured two international-class musicians alongside three of the members of the New Zealand String Quartet. Piers Lane has made several visits to New Zealand, including at least a couple of times to the Adam Chamber Music Festival in Nelson. As in the present concert, both pianist and bassist have often been in combination with chamber music... read more