Supported by generous help from the Turnovsky Endowment Trust

Camerata’s latest “Haydn in the Church” concert – joyous antiphonal splendours, heart-rending beauties and al fresco hi-jinks!

By , 13/12/2018
It pains me to admit this, but I’ve never before heard JS Bach’s Double Violin Concerto “live” – perhaps I’ve just been unlucky, but it does partly reflect the extent to which baroque music of this kind has, during my concert-going life, become what one might call “specialist” repertoire, and not generally to its advantage in terms of dissemination to a wider audience in the concert hall. I wonder... read more

A finely-wrought, light-on-its-feet “Messiah” from Nicholas McGegan with The Tudor Consort and the NZSO

By , 08/12/2018
Just for interest’s sakes I hearkened back to my “Middle C” review of an earlier Messiah here in Wellington conducted by Nicholas McGegan with the NZSO three years previously, one which I hailed as a focused and characterful performance throughout. There was plenty to wax enthusiastic about on that occasion – McGegan’s very “visceral “ way with some of the music’s more pictorial evocations, such as the frisson of excitement he... read more

An “Enchanted Evening” from The Virtuoso Strings with Jonathan Lemalu

By , 03/12/2018
It had all the makings of a large and vital extended-family affair, with the usual concert rituals and parameters given a relaxed and informal spontaneity that readily brought musicians and audience together. I liked the buzz of excitement in both the foyer and the auditorium, one growing out of a sense of being in a friendly crowd and anticipating the delights to come! This was “Some Enchanted Evening”, a presentation... read more

Creative, thrilling and heart-warming conclusion to Orchestra Wellington’s 2018 season

By , 01/12/2018
Well, it was quite a night for Orchestra Wellington! – in front of an enthusiastic and appreciative audience at the Michael Fowler Centre on Saturday evening the musicians put everything they had into making the final night of the orchestra’s 2018 concert season one to remember. We were presented with a line-up of pieces which, if perhaps not all sure-fire crowd-pleasers, perfectly expressed the desire of the orchestra’s organisers... read more

Beautiful, visceral, hypnotic, disconcerting – Stroma’s “essential experimental” at Wellington’s Pyramid Club

By , 29/11/2018
The venue really brought it all alive, in a way that I thought a more conventional concert-chamber-like place wouldn’t have done. In the most positive way we in the audience seemed to be “put at ease” by the “late-night club” surroundings at Taranaki Street’s Pyramid Club, and, rather than attending a concert, were instead made to feel we were “eavesdropping” on the ongoing creative processes constituting and shaping each... read more

Baching at the Moon – ‘Cellist Raeul Pierard at St.Peter’s on-Willis, Wellington

By , 23/11/2018
Long and involved stories or series of tales have always attracted me – I’m a sucker for sagas, an enthusiast for epics, a connoisseur of chronicles. In music there’s nothing I like better to involve myself with than something that covers a wide span of time, incident and characterisation. I’m a completist who’s in seventh heaven when about to embark upon things like Bach’s “forty-eight”, Haydn’s “Salomon Symphonies”, Liszt’s... read more

“Puss in Boots” Pantomime gives delight for young and old alike at Circa Theatre

By , 18/11/2018
A director's note in the programme from Susan Wilson paid tribute to the late Paul Jenden 1955-2013), actor, dancer, director and author of this and several other pantomines performed by Circa over the years, describing his presence as “sadly missed”. One of his most successful pantomime adaptations was of the well-known story of “Puss-in-Boots”, based on the European fairy-tale known in Italy as Il gatto con gli stivali, and in... read more

Eternity Opera sings triumphantly once again at Wellington’s Hannah Playhouse – Puccini’s Madam Butterfly

By , 16/11/2018
Eternity Opera’s presentation at Wellington‘s Hannah Playhouse of one of the most famous of all grand operas, Giacomo Puccini’s Madama Butterfly, used a reduced orchestral accompaniment, a “rhyming” English translation of the Italian, and cut one of the more colourful episodes in the work’s Second Act, albeit involving the brief appearance of a “lesser”character. And yet, despite these diminutions of the original, the piece worked its usual theatrical and... read more

World Premiere in Palmerston North of 216 year-old work by English composer Samuel Arnold

By , 10/11/2018
Musical history was made on Saturday evening at Palmerston North’s Regent on Broadway, when local forces (the city’s Renaissance Singers and the Manawatu Sinfonia, plus a clutch of home-grown/nurtured vocal soloists) combined forces with Wellington soprano Pasquale Orchard and neighbouring Whanganui’s Schola Sacra Choir, under the inspired direction of conductor Guy Donaldson, to bring into being a world premiere with a difference. New Zealand being geographically as far away as... read more

Exuberance and poetry from pianist and conductor Lars Vogt with the NZSO

By , 26/10/2018
Review for "Upbeat" RNZ Concert (with David Morriss) Monday 29th October 2018 There's always great interest whenever somebody decides to take on the dual role of soloist and conductor in the performance of music - we had Freddy Kempf here with the NZSO a few years ago playing the entire cycle of Beethoven Piano Concertos, for example, which, from all accounts , was a great success. And now, with even more... read more

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