Supported by generous help from the Turnovsky Endowment Trust

Scholarly and musical – Sergey Malov plays Bach

One might think that a recital composed entirely of unaccompanied Bach would not reveal the versatility of the performer.  In fact, it did.  The other thought is that it would pall for the audience.  Although I heard remarks afterwards from some audience members that they missed piano accompaniment, I don’t think this was a general reaction. However, I don’t believe I have been to a completely solo violin recital before... read more

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