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Posts tagged: orchestral

Bruch’s violin concerto and Beethoven’s Seventh survive another (splendid) exposure as great works

By , 12/08/2017
It’s unusual for the NZSO to stage two concerts on consecutive evenings in the same town, though often enough they travel to different towns for concerts on consecutive nights. This time it was presumably to make full use of Karen Gomyo’s short visit to New Zealand with concerts only in Wellington and Auckland. In the past I have remarked on the boring CVs about guest soloists that get printed in... read more

Mahler, Berg – and Salina Fisher, from the NZSO – music of innocence and experience

By , 11/08/2017
Spectres, once they’re established, can haunt the world of music for decades, for oceans of time, during which certain attitudes and values can be gradually eroded, or else further entrenched. The fact that each of this concert’s three items might well have reawakened specific “ghosts” lurking among the sensibilities of the NZSO’s many loyal supporters might well have accounted for the relative paucity of attendance (by my reckoning the... read more

Astonishing performance of complete Daphnis et Chloé ballet music, plus a Schumann allusion

By , 05/08/2017
Orchestra Wellington continued its 2017 series theme that focuses on the great impresario Sergei Diaghilev, the genius behind the Ballets Russes which changed the face of ballet before the First World War, and also impacted on most of the other arts. For he employed the most gifted choreographers, composers, dancers and designers, of the age, and inspired them to produce work that would radically enrich and rejuvenate, even revolutionise... read more

Beauty, poignancy, energy, focus – Kenneth Young’s CD “Shadows and Light”

By , 01/08/2017

Over much too protracted a period I have lived with this disc of Kenneth Young's music, playing single tracks at times when opportunities arose, and, in random-step-wise mode very gradually familiarising myself with the music's sounds. It's only recently that I've had the oportunity to tease it out from my constantly-attenuated "must-hear" collection of recordings, and given it the uninterrupted attention I've felt it deserves. Playing a track at... read more

Exuberant and popular performances by Wellington Youth Orchestra

By , 31/07/2017
Concerts from the Wellington Youth Orchestra used to be held in the Town Hall, which was the right space in terms of acoustics and the orchestral tradition. But the sometimes rather small audiences did look rather … small; comparable to the size of the orchestra – around 60. On Monday there were many more that that facing the orchestra. Either St Andrew’s or the Catholic Basilica offer a more intimate... read more

Splendid Bartók; evocative New Zealand piece; guitarist substitution perhaps not a misfortune

The programme for the concert obviously did not appeal to everyone; there were a lot of empty seats, and even more after the interval when it became obvious that many devotees of the guitar, and of the Rodrigo work, did not wish to encounter Bartók, which was a great shame.  Not so tonight’s soloist, who joined the audience after the interval of this, the final concert of his tour ... read more

Adventurous, quirky, energetic – a musical-life experience for the 2017 NZSONYO

By , 14/07/2017
Thank goodness for Benjamin Britten's variously-named The Young Person's Guide to the Orchestra / Variations and Fugue on a theme of Purcell Op.34! At the recent pair of NZNYO concerts in Wellington and Auckland it was music which, unlike the works making up the rest of the programme, was reasonably familiar to the audience. As such, the piece provided a benchmark of sorts with which the youthful orchestra's playing... read more

Magnificent NZSO concert, with percussionist Colin Currie, under James MacMillan

By , 08/07/2017
I had rather expected that, even if the pieces by Adès and MacMillan had not exactly created a stampede for tickets, that the remarkable, let’s even say ‘great’ symphony by Vaughan Williams would have done the trick. But no, it didn't. However, if it was something of a statement about the timidity of Wellington audiences, it was not a disgrace. Thomas Adès For another thing, I’d have thought the name Adès might... read more

Jeux, Debussy’s quiet revolutionary, steals Orchestra Wellington’s show

By , 07/07/2017
This was the second of Orchestra Wellington's 2017 series of concerts containing works commissioned by the renowned impresario Serge Diaghilev for the dance company he had formed, the Ballets Russes, regarded by many performance historians as the most influential dance company of the 20th Century. It was the Ballets Russes company which, thanks to Diaghilev's commissions, was to premiere three of Igor Stravinsky's most famous ballets, the Firebird, Petroushka... read more

Magical Mendelssohn and tempestuous Tchaikovsky from the Wellington Chamber Orchestra

By , 02/07/2017
First impressions are, as they say, important, although they can sometimes be misleading. If one took the opening few minutes of the Wellington Chamber Orchestra's Sunday concert, featuring Felix Mendelssohn's adorable Overture "A Midsummer Night's Dream", and peremptorily judged the concert's music-making by the short-winded and unatmospheric opening chords, and the somewhat unseemly scramble of upper string lines attempting and failing to co-ordinate their rhythmic patternings right throughout this... read more

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