This was a recital that had more than a whiff of magic, mystery and atmosphere about it, thanks in part to a tempestuous Wellington spring wind that roared around and about St. Andrew's Church throughout the evening, activating creaks, groans and occasional muffled bumpings and rumblings. It was as if an army of musical ghosts had congregated amid the rafters of the church and were making their presence... read more

To the simple music-lover, this looked like the most attractive of the year’s chamber music concerts from Chamber Music New Zealand. Though the audience was quite large, I’d expected to see a bigger house than this. My guess was about 750 customers.

Perhaps the Doric Quartet is not as well known as I thought; it’s getting harder and harder for the casual music lover to distinguish the excellent... read more

Who says piano recitals can't pack 'em in any more? True, if any pianist can here in Wellington, Michael Houstoun can, and especially so when the programme features the music of two composers whose spirit seems to exemplify music's Romantic Age. This concert was a celebration of the year 1810, during which both Chopin and Schumann were born, Michael Houstoun unexpectedly and cleverly drawing these otherwise disparate figures together... read more

What a well-constructed programme this was, celebrating Chopin’s bi-centenary, other supreme composers for the piano, plus a dazzling finale.  This was real pianists’ music: not out to be showy (with the exception of the final piece), but to be expressive. Using a microphone, Piers Lane interpolated remarks between the groups of items.  These were informative, and sometimes humorous, such as when he told us that the words of the folk-song... read more

This is exactly the kind of concert I expect to mark important anniversaries of two of the world’s great composers: an intelligent selection of some of the two composers’ most representative and enjoyable music. Naturally, a poll of the audience would throw up many other works that ‘should’ have been included. That would yield a programme lasting several days. Schumann’s Arabesque is popular and pretty well-known, but Kreisleriana is less so... read more

It must have been very gratifying to Catherine Norton to have had  such a line-up of established and emerging singers to sing, as she said in her short speech, songs where she chose the music, not the singers.  These were her favourites. The programme began with Rossini’s La regata veneziana, made famous by another farewell concert – Gerald Moore’s farewell to the concert platform, when the singers were... read more

Upper Hutt-born pianist Ludwig Treviranus, back in New Zealand on a visit from his current study activities in the United States, gave a home-town recital on Sunday at the Expressions Centre, to the delight of a near-capacity audience. After completing earlier studies with Rae de Lisle in Auckland for a Masters Degree in piano performance he went to Florida to take up a Doctorate in piano with Read Gainsford... read more

Waikanae Memorial Hall

Sunday 11 July 2010, 2.30pm

A well-filled Memorial Hall enjoyed a treat of poetry on the piano.

John-Paul Muir is young, but in total command of the piano. He makes the instrument his own, and he has thought a lot about his interpretations. He played entirely without the scores in front of him... read more

Schumann's Kreisleriana was the centrepiece of this interesting concert by a pianist unknown to everyone there, I imagine. Of Taiwanese origin, Ya-Ting Liou's abbreviated CV discloses connections with Canada, the United States, and Argentina; she currently teaches at the University of Missouri in Kansas City.

She opened with an arrangement of Bach's 'Sheep May Safely Graze', sounding slightly ill-at-ease, and Chopin's second Ballade... read more

New Zealand composers putting their creative talents up for auctioning online? Local music patrons, sponsors and benefactors competing amongst themselves for compositional favours from our top composers? Amid the recent shivers caused by icy blasts directed by politicians and bureaucrats against music practitioners and disseminators such as the New Zealand Symphony Orchestra and Radio New Zealand Concert, this composer-inspired project from the Centre For New Zealand Music represented a... read more