Thursday 13 January 2011

For the first time, the gala concert to end the summer opera school was a sell-out. A brilliantly contrived TV item may have been partly responsible, with a rehearsed ‘ad hoc’ performance in a street market a couple of days before featuring the brindisi from La traviata.

In recent years a group has become established, Wanganui Opera Week, which helps popularise and... read more

The players were accomplished performers, though whether the two (?) goldfish (complete with bowl and water) in the New Zealand premiere of Steinmetz’s work were moved by the music, we could not tell; they certainly could be seen moving. I’m not sure how often animals are involved in music-making (though in opera they sometimes are – many years ago I saw Bizet’s Carmen at the Paris... read more

From now and into the fourth term, concerts by performance students at the New Zealand School of Music crop up in a variety of venues across the city. They are in part to fulfil the course requirements and in part to make the city aware of gifted young musicians being schooled there. The orchestra itself consists of most of the students of orchestral instruments; they numbered about 55 of the... read more

There was a relatively large audience at this concert that featured two violists and a violinist and they were rewarded both with some out-of-the-way music and by hearing some talented players.

Though it was advertised as a concert of violists, it was, rather, a showcase for three students of Gillian Ansell, violist in the New Zealand String... read more

While it is a pity that there was no university opera this year, after the brilliant Semele last year, the concert in which 10 opera scenes were performed was quite an ambitious undertaking.  There was considerable variety, but enough of each opera to give more than a taste, and to allow the singers to really get into the characters.  It is good news for music in this country that... read more

The habit of reviewers reporting, in mock wonderment, that the concert by the current incarnation of the National Youth Orchestra has offered the most exciting and committed symphony concert of the year, or decade, has become traditional, almost a ritual. Such claims are made in all good faith and in the hope of being seen as friends of the young and apostles of hope that the mature population will... read more

A lovely concert - framed by two adorable works for string orchestra, with centres spliced by plenty of tangy wind-band textures. One of those tangy centres was a work I had not heard for some years, Britten's Soirées Musicales (orchestrations of Rossini's music), and never as a work for winds only, as here (the arrangement made by the composer). Another work, the Tchaikovsky Serenade, I had never actually heard... read more

 

Woodwind in name only; there was no wood in evidence – there were silver flutes and brass saxophones. 

Naturally, there were varying... read more

As well as providing an exciting contest, the annual finals made for a most enjoyable concert and a varied programme of music from young amateurs.  But make no mistake, this was music-making to a very high standard, some of it on a professional level. Some of the combinations of instruments were unusual.  The first group, from St Cuthbert’s College in Auckland, played violin, piano and clarinet  performing four of the... read more

The Red Violin was a 1997 film by François Giraud for which John Corigliano wrote the score; it told the adventures of a haunted violin. From it the composer arranged a piece for violin and orchestra – a Chaconne for Violin and Orchestra and it proved a fine showcase for Martin Riseley. It may have been his first appearance with an orchestra in a public venue since he returned... read more