Supported by generous help from the Turnovsky Endowment Trust

Sharon Yearsley and friends in Mozart, Schubert, Britten and early Italians

First on the programme were three Italian arias, which unfortunately I missed, which was a pity if only because apparently Sharon Yearsley accompanied herself on the piano – an unusual practice, which it would have been interesting to observe. I’m told that it gave the performance an intimate character, and that the arias were beautifully sung.

Two of the performers are members of... read more

Panorama Theme by Themocracy