This production that has engaged a number of young and highly promising New Zealand singers (only three from overseas), was probably among the most spectacular (and expensive I imagine) ever seen in New Zealand. Happily, it also succeeded in capturing the essential qualities of this hybrid work. It combines singspiel, comic opera, mime, vaudeville, employing a text that mixes Masonic ritual and ancient Egyptian religion, a touch of Christianity...
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This harp duo was enjoyed by all those present, but the atrocious weather and the number of other music events on in the city may have contributed to the rather small audience – approx. 40 people.
The Thomas piece made a good opening work for the concert with its robust tones, demonstrating that harps are not just other-worldly instruments. The beginning could have been a hymn tune, with cheerful chords...
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