Supported by generous help from the Turnovsky Endowment Trust

Cantoris, with Thomas Nikora, brings life to Faure, and Rutter to life

By , 06/04/2019
Gabriel Faure’s Requiem, with its relatively intimate, and gentle, largely non-confrontational utterances receives frequent church performance by non-professional choirs in a version with organ accompaniment (there are various other versions extant of the work, two of which are scored with varying orchestral forces, details of which are too impossibly convoluted to even comment on). I’m mentioning this circumstance because I frequently go away from such performances feeling “short-changed” as... read more

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