Supported by generous help from the Turnovsky Endowment Trust

Dramatic and innovative Haydn in the Church from Camerata with soprano Carleen Ebbs

By , 05/11/2021
At the end of a busy and distracted Friday I found myself headed for St.Peter’s-on-Willis-St Church for Camerata’s latest “Haydn in the Church” concert series, which I’d been looking forward to ever since attending and enjoying the last one, though on this occasion I’d not been as assiduous in my preparation for the evening’s music as per usual – I had seen the programme on-line a couple of days... read more

SILVER STONE WOOD BONE a miracle of evocation from Rattle Records

By , 29/10/2021
I have written less of a review and more of an account of a listening journey, here, which seems, now that I have returned to where I began my listening, a pity to disturb or subject to more conventional reviewing strictures. I hope readers might enjoy this slightly different approach, marked by many moments on my part of wide-eared wonderment at such “age-old newness” as is conjured up by... read more

Wellington’s Ghost Trio’s flair and brilliance concludes an eventful 2021 for Chamber Music Hutt Valley

By , 13/10/2021
What a year for Chamber Music Hutt Valley! – a glance at my season ticket brings back ripples of musical pleasure as memories crowd in of concert following extraordinary concert, with only one pang of disappointment clouding the glow of satisfaction generated by the Society’s 2021 series. This was the cancellation of August’s “Sweet Chance” Vocal Duo presentation - Morag Aitchison (soprano), and Catrin Johnsson (mezzo), with Rachel Fuller... read more

Musicam scribo cogito ergo sum! – with a vengeance! – from the remarkable Ghost Trio

By , 13/08/2021
This was a concert that packed a great deal into a short time, an out-and-out “moments-per-minute” affair which encouraged and repaid the listener’s active involvement, but also “came to get you” if you had any thoughts of hanging back as if you were some kind of passive observer! Each of the three composers with the help of some extraordinarily dynamic and impactful, infinitely varied playing from the musicians of... read more

Orpheus Choir’s Concert title “I Was Glad” eponymously shared by audience response at Wellington’s Cathedral of St.Paul

By , 07/08/2021
We were, I think, all imbued with gladness at Wellington’s Cathedral of St.Paul on Saturday evening at the splendours of the music-making by the Orpheus Choir in partnership with the instrumentalists throughout most of the concert and with the vocal soloists in the concluding  Szymanowski work, the whole directed to lustrous effect by conductor Brent Stewart. It was an occasion whose intensities and excitements seemed, throughout the evening, to escalate... read more

Roger Hall’s “terrific couple” at last back on stage in Wellington – “Winding Up” at Circa Theatre

By , 01/08/2021
Sir Roger Hall’s “Winding Up”, an exploration of love weathering age and untoward circumstance, has finally made the stage at Circa Theatre, over a year after being first scheduled and then waylaid by Covid-19 and Lockdown. This afternoon its performance by Ginette McDonald and Peter Hayden as the play’s two characters, Gen and Barry, flickered all about to begin with, gradually warmed, then connected with, and finished up conflagrating... read more

Wellington Youth Orchestra and Andrew Joyce take on quintessential Beethoven and Dvořák

By , 31/07/2021
Today’s concert given by the Wellington Youth Orchestra in Lower Hutt’s Anglican Church of St James seemed to me a fascinating instance of a certain event’s “atmosphere” influencing one’s reaction to musical performance. I say this in comparing today’s concert with a not-so-long-ago occasion at the same venue and involving the same players, albeit with a different conductor - though I didn’t think the latter a significant factor in... read more

Liam Wooding – Reflections and Connections at Woburn’s St.Mark’s Church, Lower Hutt

By , 27/07/2021
Music today has a lot to thank Franz (Ferenc) Liszt for. Among his achievements throughout a life devoted to performing, composing, teaching, promoting, and collegially supporting and encouraging the art-form is his single-handed invention of the phenomenon we know today as “the piano recital”. On June 9th,1840, in London at Hanover Square, Liszt gave the first of two London concerts that were advertised as “recitals”, the first documented occasion... read more

Monstrous and idiosynchrophiliac goings-on with Stroma at Wellington’s Bats Theatre

By , 25/07/2021
The perils of reviewer-conviviality are never so real as when one attends a concert of contemporary music, and sits next to someone in the audience one knows by sight but has never had a chance to talk with seriously, so most pleasantly spends the entire pre-concert time getting properly acquainted, as a result of which one completely forgets to read the concert’s programme notes before the lights are dimmed... read more

Ravel and Bartók make companionable and stimulating piano-and-percussion bedfellows in stunning NZSM Adam Concert Room performances

By , 23/07/2021
While waiting in the foyer for the Adam Concert Room to be opened for the NZSM concert, and pricking up my ears to flute snippets from Bartók’s Concerto for Orchestra and trumpet phrases from Rimsky-Korsakov’s Scheherazade being practised by students in an adjoining studio, I couldn’t help but reflect on the charm and delight of experiencing such a “music-in-the-air” ambience about where I was and what was about to... read more

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